{"id":119563,"date":"2024-06-14T00:43:02","date_gmt":"2024-06-13T15:43:02","guid":{"rendered":"https:\/\/www.consortium.or.jp\/2022-kisfvf"},"modified":"2024-06-17T17:27:12","modified_gmt":"2024-06-17T08:27:12","slug":"2022-kisfvf","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/english-ver-kyoto-international-student-film-video-festival\/2022-kisfvf","title":{"rendered":"2022 KISFVF"},"content":{"rendered":"

About us<\/h2>\n

The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent.
\nKyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto.<\/p>\n

Event outline<\/h2>\n

\"\"<\/a><\/p>\n

DATE
<\/strong>From\u30003rd February through 5th February,2023<\/p>\n

PLACE
<\/strong>The Museum of Kyoto \uff08Sanjo-Takakura ,Nakagyo-ku, Kyoto 604-8183\uff09<\/p>\n

ONLINE\uff08Vimeo\uff09<\/strong>
From\u300010th February through 19th February,2023<\/p>\n

TICKET<\/h3>\n\n\n\n\n\n\n\n
<\/td>\n1DAY Ticket<\/span><\/td>\nALL DAY Ticket<\/span><\/td>\n<\/tr>\n
General<\/td>\n1,500 JPY<\/td>\n3,000 JPY<\/td>\n<\/tr>\n
University students<\/td>\n1,000 JPY<\/td>\n2,000JPY<\/td>\n<\/tr>\n
High school students<\/td>\n500 JPY<\/td>\n1,000JPY<\/td>\n<\/tr>\n
Less than
\n junior high student<\/span><\/td>\n		Free<\/span><\/td>\nFree<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Program<\/h2>\n

TIME TABLE<\/strong><\/h4>\n

\"\"<\/a><\/p>\n

Online Programs<\/strong><\/h4>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Package1
\uffe51,000<\/td>\n		Nominated Films<\/td>\nPackage2
\uffe51,000<\/td>\n		Nominated Films<\/td>\nNominated Films
Package1+Package2
(16)
+
Special Program
(6)<\/p>\n

\uffe51,500<\/td>\n<\/tr>\n

3 Intestine Road, Fish Island<\/td>\nOther Half<\/td>\n<\/tr>\n
Restless Is the Night<\/td>\nWhere No One Lives<\/td>\n<\/tr>\n
The things we hoped last summer<\/td>\nFatjona<\/td>\n<\/tr>\n
Lunchbox<\/td>\nJitterbug<\/td>\n<\/tr>\n
The Falling Angels<\/td>\nSHELTER<\/td>\n<\/tr>\n
THE OPPONENT<\/td>\nHometown Lullaby<\/td>\n<\/tr>\n
The Woman with the Dog<\/td>\nThe Seine’s Tears<\/td>\n<\/tr>\n
Regress<\/td>\nIdentibye<\/td>\n<\/tr>\n
Special program<\/td>\nSpecial program<\/td>\n<\/tr>\n
Yellow Kid<\/td>\nShort and Happy Life of a Goldfish<\/td>\n<\/tr>\n
Under the Sun<\/td>\nEDMOND<\/td>\n<\/tr>\n
Episodic memory<\/td>\nWeight of the Les Paul<\/td>\n<\/tr>\n<\/table>\n

Introduction of the program<\/h3>\n

Competition Winners (16 works)<\/p>\n

Program A<\/strong><\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cThe Falling Angels\u201d
\n YU CHE WU
\n Taiwan\/2021\/44min
\n National Taiwan University of Arts\n\t\t\t<\/td>\n		\n \u201cOther Half\u201d
\n Lina Kalcheva
\n United Kingdom\/2021\/14min
\n National Film and Television School (UK)\n\t\t\t<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cThe Seine’s Tears\u201d
\n Yanis Belaid, Eliott Benard, Nicolas Mayeur,
\nEtienne Moulin, Hadrien Pinot, Lisa Vicente,
\nPhilippine Singer , Alice Letailleur
\n France\/2021\/9min
\n P\u00f4le 3D\n\t\t\t<\/td>\n		\n \u201cFatjona\u201d
\n Steve Bache
\n Germany\/2022\/28min
\n Filmakademie Baden-W\u00fcerttemberg,Germany
\u3000
\u3000\n\t\t\t<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Program B<\/strong><\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n “Sakana Island Stomach Three-intestine Eyes”
\n Moe Wakabayashi
\n Japan\/2022\/17min
\n Tokyo University of the Arts\n\t\t\t<\/td>\n		\n \u201cThe things we hoped last summer\u201d
\n Park Jongwoo
\n South Korea\/2022\/35min
\n Korea National University of Arts\n\t\t\t<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cSHELTER\u201d
\n Kim Eunkyung
\n South Korea\/2022\/25min
\n Korea National University of Arts\n\t\t\t<\/td>\n		\n \u201cJitterbug\u201d
\n Su Sion
\n South Korea\/2022\/24min
\n Korea National University of Arts\n\t\t\t<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Program C<\/strong><\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cIdentibye\u201d
\n Sajjad ShahHatami
\n Iran\/2021\/15min
\n Azad university\n <\/td>\n		\n \u201cRegress\u201d
\n Ivan Jo
\n Japan\/2022\/26min
\n Kyoto City University of Arts\n <\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cTHE OPPONENT\u201d
\n FEDERICO RUSSOTTO
\n Italy\/2021\/17min
\n CENTRO SPERIMENTALE DI CINEMATOGRAFIA\n <\/td>\n		\n \u201cThe Woman with the Dog\u201d
\n Jo Yukyeong
\n South Korea\/2021\/ 29min
\n Chung-ang University\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Program D<\/strong><\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cHometown Lullaby\u201d
\n LIU BO
\n Japan\/2022\/48min
\n Musashino Art University\n <\/td>\n		\n \u201cWhere No One Lives\u201d
\n Li Anne Liew
\n United States\/2022\/19min
\n Chapman University\n <\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\n \u201cRestless Is the Night\u201d
\n Xiaoxue Meng, Yuehan Tan
\n China \u30fbUnited States\/2022\/4min
\n University of Southern California\n <\/td>\n		\n \u201cLunchbox\u201d
\n OH Han-wool
\n South Korea\/2021\/ 19min
\n Sungkyunkwan University\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Special program<\/h3>\n

1. Behind the scenes of movies learned from Kenzo Horikoshi (Date 2\/3 Fri.)<\/h4>\n

\u201cYellow Kid\u201d (Tetsuya Mariko(Director and Screen play) 2009\/Japan\/111min)
guest\uff1aKenzo Horikoshi<\/p>\n

\nTAMURA lives alone with his grandmother. Having been fired from work, he just hangs
\naround with his friend from the boxing gym, causing mischief and getting into trouble.
\nComic artist HATTORI visits the gym looking for information on former World Champion
\nMIKUNI, who was his high school mate. He draws the interest of TAMURA who has always
\nbeen a big fan of his comics. HATTORI decides to create a hero in his new comics based on
\nTAMURA and that stimulates TAMURA into trying to change his ways…\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

2. 3 Student Film Festivals(Date 2\/3 Fri.)<\/h4>\n

\u201cEpisodic memory\u201d (Tokyo Student Film Festival Live action short film category Grand Prix)
\nRiriko Suzuki(Director) 2022 \/ Japan \/ 22min41Sec<\/p>\n

\nShe knew faster than anyone else about her senses gradually fading away. Maybe, she has been talking just too much these days. She loves both being by herself and spending time with others. However, she finds herself willing to be alone in the end. Does this mean I love solitude? She feels a certain sense of danger..
\nShe is honest with herself because she is captured in herself, obsessed with herself, anxious about herself, and
\nit is her destiny.\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

<\/p>\n

\n\u201cWeight of the Les Paul\u201d (Kansai Student Film Festival Grand Prix)
\nShingen Kaneko(Director) 2022 \/ Japan \/ 15min\n <\/p>\n

\nKimio Yoneshima wanted to become a guitarist someday. However, he was close to giving up on the dream as he got kicked out of the band. One day, he meets the owner of a bar, Kasamatsu, and ever since, Kimio moves forward to make his dream come true. But the harsh reality drives him into a corner.\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

3.\u3000 The Films screened of the final judges (Date 2\/4 Sat)<\/h4>\n

\u201cNIAGARA\u201d
\nguest\uff1aChie Hayakawa \uff08Director\uff09
\n2014 \/ Japan \/ 27min<\/p>\n

\nYamame, who lost her parents when she was a child and grew up in a nursing home, first came to know her grandfather on death row at the age of 18. After leaving the facility, Yamame visits her grandmother, who has dementia, and meets Tanishi, a strange caregiver. They start sending the sound of the city to their grandfather in the wall.\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

<\/p>\n

\u201cShort and Happy Life of a Goldfish\u201d
\nguest\uff1aIsshin Inudo \uff08Director\uff09
\n1997 \/ Japan \/ 18min<\/p>\n

\nA goldfish was born in Tenchinuma well known for its goldfish. It gets scooped by Mitsui and his little sister at the goldfish scoop, then cherished by the siblings. However, the sibling\u2019s interests turn to the green turtle that was gifted on Christmas. Soon the goldfish is given to the sister\u2019s friend, who she names it Hiroshi and adore , but\u2026\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

4. Screening of past nominated films from overseas (Date 2\/5 Sun)<\/h4>\n

\u201cEDMOND\u201d (19th Kyoto International Student Film Festival Animation Division Grand Prix)
\nNina Gantz (Director and Screen play) 2015 \/ UK \/ 9min<\/p>\n

\nEdmond’s impulse to love and be close to others is strong \u2026 Mybe too strong. As he stands alone by a lake contemplating his options, he goes on ajourney backwards through his life, and revisits all his defining moments Sin search for the origin of his desires.\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

\u201cUnder the Sun\u201d (Selected works for the 19th Kyoto International Student Film Festival)
\nQIU Yang (Director and Screen play) 2015 \/ Australia \/19min<\/p>\n

\nOne incident occurs, two families tangle. There’s nothing new under the sun.\n<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

The Film screened of the final judges (Date 2\/5 Sun)<\/h4>\n

\u201cBackdrop del mio PaP\u00e0\u201d
\nguest\uff1aToshio Lee \uff08Director\uff09
\n2004 \/ Japan \/ 98min<\/p>\n

\nKazuo Shimoda, an elementary school student whose father is Ushinosuke Shimoda, a professional wrestler of \u201cNew World Pro Wrestling\u201d , hates professional wrestling! He is ashamed of his father\u2019 s occupation who turned into a villain, and he keeps it a secret even from his classmates. To gain his son\u2019 s trust, Ushinosuke decides to fight an almost reckless battle.\n<\/p>\n

\"Member<\/a><\/p>\n

<\/div>\n

The Final judge<\/h3>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
Isshin Inudo
(Film Director)<\/td>\n		Chie Hayakawa
(Film Director)<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n<\/tr>\n
Toshio Lee
(Film Director)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Results of Entries<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n
Year<\/strong><\/td>\nJapan<\/strong><\/td>\nOverseas<\/strong><\/td>\nTotal<\/strong><\/td>\n<\/tr>\n
2022\n\t <\/td>\n\n 160<\/strong>\n<\/td>\n221<\/strong><\/td>\n381<\/strong><\/td>\n<\/tr>\n
2021<\/td>\n172<\/td>\n143<\/td>\n315<\/td>\n<\/tr>\n
2020<\/td>\n100<\/td>\n272<\/td>\n372<\/td>\n<\/tr>\n
2019<\/td>\n101<\/td>\n176<\/td>\n277<\/td>\n<\/tr>\n
2018<\/td>\n98<\/td>\n490<\/td>\n588<\/td>\n<\/tr>\n
2017<\/td>\n129<\/td>\n356<\/td>\n485<\/td>\n<\/tr>\n
2016<\/td>\n168<\/td>\n371<\/td>\n539<\/td>\n<\/tr>\n
2015<\/td>\n123<\/td>\n94<\/td>\n217<\/td>\n<\/tr>\n
2014<\/td>\n163<\/td>\n187<\/td>\n350<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Award<\/h3>\n

<\/p>\n

\"\"<\/p>\n

\nGrand-Prix<\/span>
\n\"\u300eLunchbox\u300f\"<\/a><\/strong>\n<\/p>\n

\n\u201cLunchbox\u201d OH Han-wool
\nSouth Korea\/2021\/19min\/Sungkyunkwan University<\/p>\n

\u226aSynopsis\u226bAn older sister receives a phone call from her little brother, saying he needs a packed lunch. She’s never cooked before since she is blind, but she challenges herself to make lunch for the first time for her brother.<\/p>\n


\n<\/br><\/p>\n

<\/p>\n

\nSemi Grand-Prix<\/span>
\n\"\"<\/a><\/strong>\n<\/p>\n

\n\u201cThe Seine\u2019s Tears\u201d
\nYanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot,
\n Lisa Vicente, Philippine Singer, Alice Letailleur
\nFrance\/2021\/9min\/P\u00f4le 3D<\/p>\n

\u226aSynopsis\u226b17 October 1961, “Algerian workers” get down the streets to manifest against the mandatory curfew imposed by the Police prefecture.<\/p>\n


\n<\/br><\/p>\n

<\/p>\n

Each Final Judge Award<\/strong><\/span><\/p>\n

The Final Judge, Isshin Inudo Award<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

\n\u201cThe things we hoped last summer\u201d Park Jongwoo
\nSouth Korea\/2022\/35min\/Korea National University of Arts<\/p>\n

\u226aSynopsis\u226bThe kids living in a village with incineration plant start collecting marbles coming from nowhere. They somehow find the fascinating marbles and think those misterious things would make their wishes come true. But the desires led them to unexpected consequences. Also,the parents of the kids are into the long dark night.<\/p>\n

<\/br><\/p>\n

The Final Judge, Chie Hayakawa Award<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

\n\u201cThe Falling Angels\u201d YU CHE WU
\nTaiwan\/2021\/44min\/National Taiwan University of Arts<\/p>\n

\u226aSynopsis\u226bOn a tranquil summer’s day, in three different corners in the campus,there were teenagers with broken hearts. A distant thud resonated with the wounded; however, the fate of the oppressed could not be altered,even if they let out cries and screams.<\/p>\n

<\/br><\/p>\n

The Final Judge, Toshio Lee Award<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

\n\u201cTHE OPPONENT\u201d FEDERICO RUSSOTTO
\nItaly\/2021\/17min\/CENTRO SPERIMENTALE DI CINEMATOGRAFIA<\/p>\n

\u226aSynopsis\u226b
\nAureliano and Simone seem to belong to different planets. They don\u02bct speak much, their common language is fencing. With each lunge they will test their talent and loyalty.<\/p>\n

<\/br><\/p>\n

KISFVF executive committee Award<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

\n“Sakana Island Stomach Three Intestines” Moe Wakabayashi
\nJapan\/2022\/17min\/Tokyo University of the Arts<\/p>\n

\u226aSynopsis\u226bThis is the story of a family of three: a pig, a fish, and a tadpole,who live deep in the belly of a fish. One day, their life changes drastically, starting with a fruit that washes ashore.<\/p>\n


\n<\/br><\/p>\n

\n

Find us on<\/h2>\n\n\n\n\n
\"Twitter<\/a><\/td>\n\"Presentation<\/a><\/td>\n<\/tr>\n
@kisfvf<\/span><\/td>\nofficial website<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n
\n

Information<\/h2>\n

25th Kyoto International Student Film & Video Festival 2022 Office
\n c\/o The Consortium of Universities in Kyoto Campus Plaza Kyoto
\n Nishino-Toin-dori Shiokoji sagaru,Shimogyo-ku,Kyoto 600-8216 JAPAN
\n TEL\uff1a+81 75 353 9189\uff08closed on Mondays\uff09\u3000FAX\uff1a+81 75 353 9101
\n E-MAIL:info-kisfvf-ml@consortium.or.jp
\n HP : http:\/\/www.kisfvf.com\n <\/p>\n<\/p><\/div>\n

 <\/p>\n

\n
<\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"

About us The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent. Kyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto. Event outline DATEFrom\u30003rd February through 5th February,2023 PLACEThe Museum of Kyoto \uff08Sanjo-Takakura ,Nakagyo-ku, Kyoto 604-8183\uff09 ONLINE\uff08Vimeo\uff09From\u300010th February through 19th February,2023 TICKET 1DAY Ticket ALL DAY Ticket General 1,500 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":122736,"menu_order":2241,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-119563","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-23 00:24:55","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/119563"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=119563"}],"version-history":[{"count":1,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/119563\/revisions"}],"predecessor-version":[{"id":122737,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/119563\/revisions\/122737"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/122736"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=119563"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}