{"id":128681,"date":"2021-04-23T12:38:55","date_gmt":"2021-04-23T03:38:55","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/details\/2020-2"},"modified":"2021-04-23T12:38:55","modified_gmt":"2021-04-23T03:38:55","slug":"2020-2","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/details\/2020-2","title":{"rendered":"2020 The 23rd Kyoto International Student Film Festival"},"content":{"rendered":"<p><\/p>\n<ul class=\"linkArrowDown partitionWrap\">\n<li><a href=\"#pageLink01\">Business Overview<\/a><\/li>\n<li><a href=\"#pageLink02\">Outline of the event<\/a><\/li>\n<li><a href=\"#pageLink03\">Programme<\/a><\/li>\n<li><a href=\"#pageLink04\">Implementation Report<\/a><\/li>\n<li><a href=\"#pageLink05\">Pre-Event &amp; Collaborative Planning<\/a><\/li>\n<p>    <!-- \n\n<li><a href=\"#pageLink06\">\u7279\u8a2d\u30b5\u30a4\u30c8<\/a><\/li>\n\n\n    \n\n<li><a href=\"#pageLink07\">\u5b9f\u884c\u59d4\u54e1\u4f1a<\/a><\/li>\n\n\n    \n\n<li><a href=\"#pageLink08\">\u304a\u554f\u3044\u5408\u308f\u305b<\/a><\/li>\n\n -->\n    <\/ul>\n<h2 id=\"pageLink01\">Business Overview<\/h2>\n<p class=\"post\">The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema.<br \/> Historically, Kyoto is a &#8220;movie town&#8221; that still inherits the cultural heritage of the early days of Japan cinema, and it is also a &#8220;university town and student town&#8221; where students account for 10% of the population of Kyoto City. The festival aims to revitalize Kyoto by creating a place for international exchange and mutual understanding by discovering and introducing talents who can add new fields to cinema from among the many possibilities of films from around the world.<\/p>\n<h2 id=\"pageLink02\">Outline of the event<\/h2>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/23rdKISFVF_02-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32732\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/23rdKISFVF_02-1.png\" alt=\"\" width=\"679\" height=\"382\"><\/a><\/p>\n<h3 class=\"post\">23rd Kyoto International Student Film Festival<\/h3>\n<p>    <strong><a href=\"http:\/\/www.kisfvf.com\/\" target=\"_blank\" rel=\"noopener\">Click here for the official website<\/a><\/strong><\/p>\n<dl class=\"dl_list01-2\" style=\"font-size:12pt;\">\n<dt>Dates:<\/dt>\n<dd>Friday, February 26, 2021 ~ Friday, March 5, 2021<\/dd>\n<dt>Co-organizers:<\/dt>\n<dd>The Museum of Kyoto<\/dd>\n<dt>Planning &amp; Management:<\/dt>\n<dd>The 23rd Kyoto International Student Film Festival Executive Committee<\/dd>\n<dt>Operational support:<\/dt>\n<dd>Kyoto International Student Film Festival Planning Review Committee<\/dd>\n<dt>Assistance:<\/dt>\n<dd>Arts and Culture Promotion Fund, Nischa Printing Culture Foundation<\/dd>\n<dt>Sponsored by:<\/dt>\n<dd>Kyoto Prefecture, Kyoto City, Kyoto Prefectural Board of Education, Kyoto City Board of Education, The Japan Foundation,<br \/> NPO Image Industry Promotion Organization, Cineaste Organization Osaka,<br \/> Cooperative Japan Film Directors Association, UniJapan, Asahi Shimbun Kyoto Bureau,<br \/> Kyoto Shimbun, NHK Kyoto Broadcasting Station, KBS Kyoto, \u03b1-STATION FM Kyoto<\/dd>\n<dt>Sponsors:<\/dt>\n<dd>Director&#8217;s Unibu Co., Ltd., Ritsumeikan University Graduate School of Film and Media,<br \/> J:COM Kyoto Miyabijon, Nitto Pharmaceutical Co., Ltd.,<br \/>Yamako Co., Ltd., Kyoto Prefectural Federation of Consumer Co-operative Associations<\/dd>\n<\/dl>\n<h2 id=\"pageLink03\">Programme<\/h2>\n<h3>Films to be screened (15 films with permission to be screened online)<\/h3>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/1131d2592a51528f2a110288ac8766b1.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"alignleft wp-image-32071 \" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/1131d2592a51528f2a110288ac8766b1.png\" alt=\"\" width=\"360\"><\/a><\/p>\n<h3>Competition Winners (16 works in total)<\/h3>\n<h4>Program A<\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_01_MaselTovCocktail.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_01_MaselTovCocktail.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_02_offbeat.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_02_offbeat.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300eMasel Tov Cocktail\u300f<br \/>Arkadij Khaet,Mickey Paatzsch<br \/> GERMANY \/ 2020 \/ 30min \/ Live Action<br \/>Filmacademy Baden-W\u00fcrttemberg<\/td>\n<td style=\"text-align: center\">\u300eOFFBEAT\u300f<br \/>Myrte Ouwerkerk<br \/> THE NETHERLANDS \/ 2020 \/ 20min \/ Live Action<br \/>Netherlands Film Academy<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_03_kochira.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_03_kochira.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/CARGO_STILL01.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/CARGO_STILL01.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">&#8220;From this broadcast room to Major Tom&#8221;<br \/>Takuya Chisaka<br \/> Japan \/ 2019 \/ 10min \/ Live Action<br \/>Japan University<\/td>\n<td style=\"text-align: center\">\u300eCARGO\u300f<br \/>Christina Tournatz\u00e9s<br \/> GERMANY \/ 2020 \/ 15min \/ Live Action<br \/>Macromedia University of Applied Science<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_05_signature.png\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_05_signature.png\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_06_home.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_06_home.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300eSignature\u300f<br \/>SeungHui HYUN<br \/> KOREA \/ 2020 \/ 28min \/ Live Action<br \/>Seoul Institute of the arts<\/td>\n<td style=\"text-align: center\">\u300eHome\u300f<br \/>Marcjanna Urba\u0144ska<br \/> POLAND \/ 2019 \/ 5min \/ Anime<br \/>Lodz Film School <\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_07_BONBON.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_07_BONBON.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_08_GrowingPains.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_08_GrowingPains.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300eBONBON\u300f<br \/>Daniel Meier<br \/> GERMANY \/ 2019 \/ 22min \/ Live Action<br \/>Technische Hochschule Ostwestfalen-Lippe Fachbereich Medienproduktion<\/td>\n<td style=\"text-align: center\">\u300eGROWING PAINS\u300f<br \/>LIN, PO-YU<br \/> TAIWAN \/ 2020 \/ 25min \/ Live Action<br \/>National Taiwan University of Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h4>Program B<\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_09_YoungFragile.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_09_YoungFragile.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_10_EmptySpaces.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_10_EmptySpaces.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300eYoung, Fragile\u300f<br \/>Joscha Bongard<br \/> GERMANY \/ 2020 \/ 25min \/ Live Action<br \/>Filmakademie Baden-Wuerttemberg<\/td>\n<td style=\"text-align: center\">\u300eEmpty Spaces \u300f<br \/>Clara Stephanie Schieber Lorenesi<br \/> UK \/ 2019 \/ 20min \/ Live Action<br \/>University of Warwick<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_11_wonderful-chidoriashi.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_11_wonderful-chidoriashi.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_12_we-bloom.png\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_12_we-bloom.png\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">&#8220;Wonderful Staggered Feet in Wonderland&#8221;<br \/>Shika Okada<br \/> Japan \/ 2019 \/ 2min \/ Anime<br \/>Tokyo University of the Arts Graduate School<\/td>\n<td style=\"text-align: center\">\u300eWe bloom\u300f<br \/>KIM Yul-hee<br \/> KOREA \/ 2020 \/ 28min \/ Live Action<br \/>Korea National University of Arts<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_13_pick-up.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_13_pick-up.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_14_-TheCoralGuardian.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_14_-TheCoralGuardian.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300ePick-up\u300f<br \/>Roh Dohyeon<br \/> KOREA \/ 2019 \/ 13min \/ Live Action<br \/>Chung-Ang University<\/td>\n<td style=\"text-align: center\">\u300eThe Coral Guardian\u300f<br \/>David Dincer<br \/> GERMANY \/ 2020 \/ 10min \/ Anime<br \/>Filmakademie Baden-Wuerttemberg<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_15_sweep.jpg\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_15_sweep.jpg\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_16_Talker.png\"><img decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_16_Talker.png\" alt=\"\" width=\"300\" height=\"autoo\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center\">\u300esweep.\u300f<br \/>Takuya Miyahara<br \/> Japan \/ 2019 \/ 42min \/ Live Action<br \/>ENBU Seminar<\/td>\n<td style=\"text-align: center\">\u300eTalker\u300f<br \/>Mehrshad Ranjbar<br \/> IRAN \/ 2020 \/ 13min \/ Live Action<br \/>Pars University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h3>Special Events<\/h3>\n<h4>&#8220;Akiko Okyu&#8217;s Screening Project&#8221;<\/h4>\n<p>&#8220;Surprisingly it doesn&#8217;t die&#8221;<br \/> 1999 \/ Japan \/ 42min \/ 16mm<br \/> (Fiction Course 1st High School Film)<\/p>\n<p>  Tsukiko is an elementary school teacher who is more sensitive to pain than others. That everyday life is too bad. Far from ideal students, parents, insensitive co-workers, and a stalker who relentlessly follows her. Her best friend, Mayu, enjoys a cheesy &#8220;marriage that has been made.&#8221; La?\u3000Tete-te-te&#8230;&#8230; There was only one way for Tsukiko to go!\u3000Why?\u3000This is her film directorial debut, directed by Akiko Okyu of &#8220;Tremble Without Permission&#8221; and &#8220;Hold Me Back&#8221;.<\/p>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23KISFVFtokubetsu_still.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23KISFVFtokubetsu_still.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h3>Final Judges<\/h3>\n<table>\n<tbody>\n<tr>\n<td style=\"width:33%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_ookuakiko.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32111\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_ookuakiko.jpg\" alt=\"\" width=\"90%\" height=\"auto\"><\/a><\/td>\n<td style=\"width:33%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_kawaihayato.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32112\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_kawaihayato.jpg\" alt=\"\" width=\"90%\" height=\"auto\"><\/a><\/td>\n<td style=\"width:33%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_kobayashitatsuo.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32113\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/portrait_kobayashitatsuo.jpg\" alt=\"\" width=\"90%\" height=\"auto\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\">Akiko Okyu<br \/> (Director, Script)<\/td>\n<td class=\"taCenter\">Hayato Kawai<br \/> (Film Director, TV Drama Director, Commercial Director)<\/td>\n<td class=\"taCenter\">Tatsuo Kobayashi<br \/> (Film Director)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h3>Program Fees<\/h3>\n<p>    <!-- \n\n<table style=\"height: 121px\" width=\"470\">\n    \n\n<tbody>\n    \n\n<tr>\n    \n\n<td style=\"width: 149.34px\"> <\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">ALL DAY \u30d1\u30b9<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">1DAY \u30d1\u30b9<\/td>\n\n\n    <\/tr>\n\n\n    \n\n<tr>\n    \n\n<td style=\"width: 149.34px\">\u4e00\u822c<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">3,000\u5186<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">1,500\u5186<\/td>\n\n\n    <\/tr>\n\n\n    \n\n<tr>\n    \n\n<td style=\"width: 149.34px\">\u5b66\u751f\uff08\u9ad8\u6821\u751f\u4ee5\u4e0a\uff09<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">2,000\u5186<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">1,000\u5186<\/td>\n\n\n    <\/tr>\n\n\n    \n\n<tr>\n    \n\n<td style=\"width: 149.34px\">\u4e2d\u5b66\u751f\u4ee5\u4e0b<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">\u7121\u6599<\/td>\n\n\n    \n\n<td style=\"width: 149.33px\">\u7121\u6599<\/td>\n\n\n    <\/tr>\n\n\n    <\/tbody>\n\n\n    <\/table>\n\n --><\/p>\n<table width=\"100%\">\n<caption>Distribution Programs<\/caption>\n<tbody>\n<tr>\n<th style=\"width:50%;background-color:#a8d08d;\">Program\u3000A\u3000\uff08\uff18Films\uff09\uffe51,000<\/th>\n<th style=\"width:50%;background-color:#ffc000;\">Program\u3000B\u3000\uff08\uff19Films\uff09\uffe51,100<\/th>\n<\/tr>\n<tr>\n<td>Masel Tov Cocktail<\/td>\n<td>Young, Fragile<\/td>\n<\/tr>\n<tr>\n<td>OFFBEAT<\/td>\n<td>Empty Spaces<\/td>\n<\/tr>\n<tr>\n<td>From this broadcast room to Major Tom Wonderful<\/td>\n<td>Staggered Feet in Wonderland<\/td>\n<\/tr>\n<tr>\n<td>CARGO<\/td>\n<td>We bloom<\/td>\n<\/tr>\n<tr>\n<td>Signature<\/td>\n<td>Pick-up<\/td>\n<\/tr>\n<tr>\n<td>Home<\/td>\n<td>The Coral Guardian<\/td>\n<\/tr>\n<tr>\n<td>BONBON<\/td>\n<td>sweep.<\/td>\n<\/tr>\n<tr>\n<td>GROWING PAINS<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td style=\"background-color: #ccffff;\" class=\"taCenter\"><span class=\"fBold\">Special Events<br \/>Screening project directed by Akiko Okyu<\/span><br \/>&#8220;Surprisingly it doesn&#8217;t die&#8221;<\/td>\n<td style=\"background-color: #ccffff;\" class=\"taCenter\"><span class=\"fBold\">Special Events<br \/>Screening project directed by Akiko Okyu<\/span><br \/>&#8220;Surprisingly it doesn&#8217;t die&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"taCenter mt20 mb1\" width=\"600\">ALL Program \uffe51,500\uff0815Films+Special program\uff09<\/p>\n<table width=\"100%\">\n<tbody>\n<tr>\n<th style=\"width:50%;background-color:#a8d08d;\">Program\u3000A\u3000\uff087Films\uff09\uffe51,000<\/th>\n<th style=\"width:50%;background-color:#ffc000;\">Program\u3000B\u3000\uff088Films\uff09\uffe51,100<\/th>\n<\/tr>\n<tr>\n<td style=\"background-color: #ccffff;\" colspan=\"2\" class=\"taCenter\"><span class=\"fBold\">Special Events<br \/>Screening project directed by Akiko Okyu<\/span><br \/>&#8220;Surprisingly it doesn&#8217;t die&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Result of Submission<\/h3>\n<table>\n<tbody>\n<tr>\n    Total for the <\/p>\n<td><strong>year in<\/strong><\/td>\n<td><strong>Japan<\/strong><\/td>\n<p> and <\/p>\n<td><strong>overseas<\/strong><\/td>\n<td><strong><\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong>FY2020  <\/td>\n<td><strong>100 works<\/strong><\/td>\n<td><strong>272 works<\/strong><\/td>\n<td><strong>372 works<\/strong><\/td>\n<\/tr>\n<tr>\n<td>101 works,<\/td>\n<td>176 works, and<\/td>\n<td>277 works<\/td>\n<p> in <\/p>\n<td>2019<\/td>\n<\/tr>\n<tr>\n<td>2018:<\/td>\n<td>98 works,<\/td>\n<td>490 works,<\/td>\n<td>588 works<\/td>\n<\/tr>\n<tr>\n<td>129 works,<\/td>\n<td>356 works, and<\/td>\n<td>485 works<\/td>\n<td>in 2017<\/td>\n<\/tr>\n<tr>\n<td>168 works,<\/td>\n<td>371 works,<\/td>\n<td>539 works in<\/td>\n<td>2016<\/td>\n<\/tr>\n<tr>\n<td>123 works,<\/td>\n<td>94 works, and<\/td>\n<td>217 works<\/td>\n<p> in <\/p>\n<td>2015<\/td>\n<\/tr>\n<tr>\n<td>163 works,<\/td>\n<td>187 works, and<\/td>\n<td>350 works<\/td>\n<td>in 2014<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 class=\"post\" id=\"pageLink04\">Implementation Report<\/h2>\n<p>  The 23rd Kyoto International Student Film Festival discovers young talents who will lead the film industry in the future. It was distributed on the video sharing site &#8220;Vimeo&#8221; for 8 days from February 26 (Friday) to March 5 (Friday), 2021.<br \/> This year&#8217;s competition received 372 entries from 22 countries and regions, and 15 films were screened with permission out of 16 carefully selected by the Student Executive Committee.<br \/> At the award ceremony, the final judges, Ms. Akiko Ohku, Ms. Hayato Kawai, and Mr. Tatsuo Kobayashi, announced the Grand Prix, Second Prize, and the final Jury Prize in a video message.<br \/> In addition to the selected films, various contents such as talk sessions were distributed on the official Youtube channel of the Kyoto International Student Film Festival.<br \/> The award-winning works are as follows: I wish the young coach all the best in his future endeavors.<br \/> Although it was the first time the event was held online, we would like to express our sincere gratitude to everyone who watched and supported and cooperated with us, as well as the successful completion of all the programs.  <\/p>\n<h3>Announcement of the results of the competition section<\/h3>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/d9118126448b4e181dba7cb62dd63cca.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32739\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/d9118126448b4e181dba7cb62dd63cca.png\" alt=\"\" width=\"52\" height=\"46\"><\/a><\/p>\n<p style=\"text-align: center\"><strong><span style=\"font-size: 14pt\">Grand Prix<br \/>Grand-Prix<\/span><br \/>\n     <a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_16_Talker.png\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32074\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_16_Talker.png\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/strong><\/p>\n<p style=\"text-align: center\">\u300eTalker\u300fMehrshad Ranjbar<br \/> IRAN \/ 2020 \/ 13min \/ Pars University<\/p>\n<p>\u226aSynopsis\u226b tells the story of an old woman who cared for her sick husband for many years until he died.<\/p>\n<p style=\"text-align: center\"><strong><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/b51335005cd2b47d89267b467a23ed36.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32740\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/b51335005cd2b47d89267b467a23ed36.png\" alt=\"\" width=\"52\" height=\"43\"><\/a><span style=\"font-size: 14pt\">Second Prize<br \/>Second Prize<\/span><\/p>\n<p>    <a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_12_we-bloom.png\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32084\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_12_we-bloom.png\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/strong><\/p>\n<p style=\"text-align: center\">\u300eWe bloom\u300fKIM Yul-hee<br \/> KOREA \/ 2020 \/ 28min \/ Korea National University of Arts<\/p>\n<p>\u226a Synopsis\u226b Every day on the way home from school Mr.\/Ms. Hyun visits Jung-woo. Jungwoo is blind, so he always &#8220;listens&#8221; to movies at home. Mr.\/Ms. starts recording movies before moving out.<\/p>\n<p style=\"text-align: center\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_14_-TheCoralGuardian.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-31965\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_14_-TheCoralGuardian.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p style=\"text-align: center\">\u300eThe Coral Guardian\u300fDavid Dincer<br \/> GERMANY \/ 2020 \/ 10min \/ Filmakademie Baden-Wuerttemberg<\/p>\n<p>\u226a Synopsis\u226b 100 years ago, a diver died at sea. Revived by the coral on his helmet, he tried to escape from the sea, but when he found the coral reef in a hidden place on the seabed, he decided to stay there and take care of it. Decades passed, and changes in the marine environment affected him as well as the coral reef. Before he dies again, he tells them that there was a wonderful coral reef in this place.<\/p>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/c69a3b8dc69521b1bc8bb1f214ea6374.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32742\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/28139\/c69a3b8dc69521b1bc8bb1f214ea6374.png\" alt=\"\" width=\"52\" height=\"43\"><\/a><\/p>\n<p style=\"text-align: center\"><span style=\"font-size: 14pt\"><strong>Final Jury Prize<\/strong><\/span><strong><br \/>Akiko Daikyu Prize<!--\u3000The Final Judge, Akiko Ooku Award --><\/span>\u3000<\/strong><\/span><\/p>\n<p>    <a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_11_wonderful-chidoriashi.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32087\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_11_wonderful-chidoriashi.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p style=\"text-align: center\">&#8220;Wonderful Staggered Feet in Wonderland&#8221; Shika Okada<br \/> Japan \/ 2019 \/ 2min \/ Anime \/ Tokyo University of the Arts Graduate School<\/p>\n<p>\u226aSynopsis\u226b &#8220;One day, when I was coming home from school, I found a man I liked with his girlfriend. While drinking sake bought at the supermarket. A self-documentary that fuses the rakugo technique of &#8220;Dochuzuke&#8221; with pop culture to follow himself as he strolls through the wonderland of Tokyo while being swallowed up by alcohol and the city. &#8220;<\/p>\n<p style=\"text-align: center\"><span style=\"font-size: 12pt\"><strong>Hayato Kawai Prize<!--\u3000The Final Judge, Akiko Ooku Award --><\/strong><\/span><\/p>\n<p>    <a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_13_pick-up.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32077\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_13_pick-up.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p style=\"text-align: center\">\u300ePick-up\u300fRoh Dohyeon<br \/> KOREA \/ 2019 \/ 13min \/ Live Action \/ Chung-Ang University<\/p>\n<p>\u226a Synopsis\u226b Joo-hyun, a rookie film crew, picks up an actress who is in his car. However, she mistakenly thinks of an actress and ends up with a prostitute named Hira.<\/p>\n<p style=\"text-align: center\"><span style=\"font-size: 12pt\"><strong>Tatsuo Kobayashi Prize<!--\u3000The Final Judge, Akiko Ooku Award --><\/strong><\/span><\/p>\n<p>    <a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_09_YoungFragile.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32077\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/still_09_YoungFragile.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p style=\"text-align: center\">\u300eYoung, Fragile\u300fJoscha Bongard<br \/> GERMANY \/ 2020 \/ 25min \/ Live Action \/ Filmakademie Baden-Wuerttemberg<\/p>\n<p>\u226aSynopsis\u226b In today&#8217;s world where gender roles are changing, a young man is inspired by a date he meets through Tinder and decides to live according to his &#8220;masculinity&#8221;. You can feel the delicate and unstable state of the young man through the conversations he has with his best friend. In addition, the meeting of the young man and the confident older Leili, who has fearlessly gone to meet him, gives us a sharp message. A work that reflects the recent form of love, sexuality, and role models.  <\/p>\n<h3><strong>Other Selected Works<\/strong><\/h3>\n<div class=\"spScroll\">\n<table style=\"width: 618.34px\">\n<tbody>\n<tr>\n<td style=\"width: 38px;text-align: center\">Title:<\/td>\n<td style=\"width: 94px;text-align: center\"><span style=\"font-size: 10pt\">Director,<\/span><\/td>\n<td style=\"width: 53.34px;text-align: center\"><span style=\"font-size: 10pt\">Work Information<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;Masel Tov Cocktail&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Arkadij Khaet Mickey Paatzsch<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">GERMANY \/ 2020 \/ 30min \/ Filmacademy Baden-W\u00fcrttemberg<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;OFFBEAT&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Myrte Ouwerkerk,<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">The Netherlands \/ 2020 \/ 20min \/ Netherlands Film Academy<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;From the broadcast room here<br \/>To Major Tom&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Takuya Chisaka<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">Japan \/ 2019 \/ 10min \/ Japan University<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;CARGO&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Christina Tournatz\u00e9s,<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">Germany \/ 2020 \/ 15min \/ Macromedia University of Applied Science<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;Signature&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">SeungHui HYUNKOREA<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">\/ 2020 \/ 28min \/ Seoul Institute of the arts<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;Home&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Marcjanna Urba\u0144ska POLAND<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">\/ 2019 \/ 5min \/ Lodz Film School <\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;BONBON&#8221; Daniel<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Meier<\/span><\/td>\n<p>, <\/p>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">Germany \/ 2019 \/ 22min \/ Technische Hochschule Ostwestfalen-Lippe Fachbereich Medienproduktion<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">\u300eGROWING PAINS\u300f<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">LIN, PO-YU<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">TAIWAN \/ 2020 \/ 25min \/ National Taiwan University of Arts<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">&#8220;Empty Spaces&#8221;<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">by Clara Stephanie Schieber Lorenesi, UK<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">\/ 2019 \/ 20min \/ University of Warwick<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 38px\"><span style=\"font-size: 10pt\">\u300esweep.\u300f<\/span><\/td>\n<td style=\"width: 94px\"><span style=\"font-size: 10pt\">Takuya Miyahara<\/span><\/td>\n<td style=\"width: 53.34px\"><span style=\"font-size: 10pt\">Japan \/ 2019 \/ 42min \/ ENBU Seminar<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<p>&nbsp;<\/p>\n<h2 class=\"post\" id=\"pageLink05\">Pre-Event &amp; Collaborative Planning<\/h2>\n<h3><strong>Pre<\/strong><\/h3>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_preevent.jpg\" alt=\"\" width=\"300\" height=\"auto\"><img decoding=\"async\" class=\"wp-image-32749\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_preevent.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p><strong>Guerrilla Screening in Campus Plaza Kyoto November 21 (Sat), November 28 (Sat)<\/strong><\/p>\n<p>An outdoor screening was held in front of Campus Plaza Kyoto. Based on the concept of &#8220;encountering student films from around the world on the streets of Kyoto,&#8221; we screened films produced by students at a local venue. It was a play event that was held while taking all possible measures against the new coronavirus infection, and although we encountered some difficult situations, it was a good experience for our future activities.<\/p>\n<h3>Collaborative Projects<\/h3>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"33%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_kikaku01.jpg\"><img decoding=\"async\" class=\"wp-image-32749 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_kikaku01.jpg\" alt=\"\" width=\"200\" height=\"auto\"><\/a><\/td>\n<td width=\"34%\"><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_kikaku02.jpg\"><img decoding=\"async\" class=\"wp-image-32750 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/36527\/23rdKISFVF_kikaku02.jpg\" alt=\"\" width=\"200\" height=\"auto\"><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\">Photo Contest<br \/> Date: December 3 (Thu) ~ January 15 (Fri)<\/p>\n<p style=\"text-align: left;word-wrap: break-word;\"><span style=\"font-size: 8pt\">A photo contest was held on the official Instagram and Twitter. We set up two categories for the themes of &#8220;#\u6620\u753b\u30e1\u30b7&#8221; and &#8220;#\u6620\u753b\u306e\u3088\u3046\u306a\u30ef\u30f3\u30b7\u30e7\u30c3\u30c8&#8221; related to films, and solicited submissions. Through the use of social media, we took on the challenge of creating a place where the younger generation would be interested in student-directed films and films.<\/p>\n<\/td>\n<td style=\"text-align: center;width:200px;\">Kyoto University Hospital Video Distribution<br \/>  Release date: January 6 (Sat) ~<\/p>\n<p style=\"text-align: left;\"><span style=\"font-size: 8pt\">Past winning works have been distributed so that they can be viewed from the monitors of each inpatient bed at Kyoto University Hospital. I think it was a good opportunity to change the mood of hospitalized patients and let a wide range of people know about the existence of the film festival.<br \/>\n     <\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div> <\/div>\n<div class=\"post\">\n<h2 class=\"post\">Special Site<\/h2>\n<table>\n<tbody>\n<tr>\n<td><a href=\"https:\/\/twitter.com\/kisfvf\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1720 size-full aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/Twitter_logo_blue.png\" alt=\"Twitter Logo\" width=\"65\" height=\"52\"><\/a><\/td>\n<td><a href=\"http:\/\/www.kisfvf.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15152 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/78692eb8438a92f7e11a516981ad7fad-120x90.jpg\" alt=\"Presentation 1\" width=\"100\" height=\"77\"><\/a><\/td>\n<\/tr>\n<tr>\n<td><span class=\"username u-dir\" dir=\"ltr\">@kisfvf<\/span><\/td>\n<td>official website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<div class=\"post\">\n<h2 class=\"post\">executive committee<\/h2>\n<p>The Kyoto International Film Festival Executive Committee is looking for students who will enliven the festival.<br \/> The festival receives a wide variety of films, both domestic and international. In addition, the executive committee is student-led, from the solicitation of films to the screening and management of the film festival. Through a series of activities such as public relations activities and sponsorship requests, you can learn the know-how of festival management.<br \/> Students from various universities and faculties participate in the executive committee, regardless of grade, so friendships are expanded. Even if you are a beginner, senior executive committee members and university consortium Kyoto staff will support your activities, so please feel free to contact us.<\/p>\n<p><a href=\"http:\/\/www.kisfvf.com\/contact\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1720\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/183.177.245.951.gif\" alt=\"\" width=\"192\" height=\"32\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td>Location:<\/td>\n<td>Campus Plaza Kyoto (6th floor office, 5th floor joint laboratory)<\/td>\n<\/tr>\n<tr>\n<td>Frequency of activities:<\/td>\n<td>General meetings, department meetings, art viewing, training, etc. about once a week (depending on the month)<\/td>\n<\/tr>\n<tr>\n<td>Participating Universities<br \/> (Results)<\/td>\n<td>Kyoto University, Kyoto Institute of Technology, Kyoto University of Foreign Studies, Kyoto College of Nursing, Saga Art University,<br \/> Kyoto Sangyo University, Kyoto Women&#8217;s University, The Kyoto College of Graduate Studies for Informatics, Kyoto University of Art and Design,<br \/> Kyoto University of Pharmaceutical Sciences, Seian University of Art and Design, Doshisha Women&#8217;s University, Doshisha University, Bukkyo University,<br \/> Ritsumeikan University, Ryukoku University, Kobe University, Kansai University, etc.<\/td>\n<\/tr>\n<tr>\n<td>Organizer<\/td>\n<p>: <\/p>\n<td>University Consortium Kyoto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<div class=\"post\">\n<h2 class=\"text_exposed_show\">Contact us<\/h2>\n<p>The 23rd Kyoto International Student Film Festival Executive Committee<br \/> \u3012600-8216 Shimogyo-ku, Kyoto-shi, Nishitoin-dori, Shiokoji Shimoru Campus Plaza Kyoto<br \/> TEL: 075-353-9189 (Closed on Mondays) FAX: 075-353-9101<br \/> E-MAIL: info-kisfvf-ml\u25a0consortium.or.jp (Please replace \u25a0 with @)<a href=\"mailto:info@kisfvf.com\"><br \/><\/a>HP\uff1ahttp:\/\/www.kisfvf.com\/<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div style=\"width: 1000px;overflow: hidden\">\n<div> <\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Business Overview Outline of the event Programme Implementation Report Pre-Event &amp; Collaborative Planning Business Overview The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema. Historically, Kyoto is a &#8220;movie town&#8221; that still inherits the cultural heritage of the early days of Japan cinema, and it [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":118651,"menu_order":3139,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-128681","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-05 12:24:23","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128681"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=128681"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128681\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/118651"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=128681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}