{"id":128684,"date":"2023-03-22T17:29:44","date_gmt":"2023-03-22T08:29:44","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/details\/2022-2"},"modified":"2023-03-22T17:29:44","modified_gmt":"2023-03-22T08:29:44","slug":"2022-2","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/details\/2022-2","title":{"rendered":"2022 The 25th Kyoto International Student Film Festival"},"content":{"rendered":"<p><\/p>\n<ul class=\"linkArrowDown partitionWrap\">\n<li><a href=\"#pageLink01\">Business Overview<\/a><\/li>\n<li><a href=\"#pageLink02\">Outline of the event<\/a><\/li>\n<li><a href=\"#pageLink03\">Programme<\/a><\/li>\n<li><a href=\"#pageLink04\">Implementation Report<\/a><\/li>\n<li><a href=\"#pageLink05\">Pre-Event &amp; Collaborative Planning<\/a><\/li>\n<li><a href=\"#pageLink06\">Special Site<\/a><\/li>\n<li><a href=\"#pageLink07\">executive committee<\/a><\/li>\n<li><a href=\"#pageLink08\">Contact us<\/a><\/li>\n<\/ul>\n<h2 id=\"pageLink01\">Business Overview<\/h2>\n<p class=\"post\">The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema.<br \/> Historically, Kyoto is a &#8220;movie town&#8221; that still inherits the cultural heritage of the early days of Japan cinema, and it is also a &#8220;university town and student town&#8221; where students account for 10% of the population of Kyoto City. The festival aims to revitalize Kyoto by creating a place for international exchange and mutual understanding by discovering and introducing talents who can add new fields to cinema from among the many possibilities of films from around the world.<\/p>\n<h2 id=\"pageLink02\">Outline of the event<\/h2>\n<p><!--<a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/24thKISFVF02.jpg\">--><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32732\" src=\"\/wp-content\/uploads\/page\/83\/kisfvf25_202301.jpg\" alt=\"\" width=\"679\" height=\"382\"><!--<\/a>--><\/p>\n<h3 class=\"post\">25th Kyoto International Student Film Festival<\/h3>\n<p><!--<strong><a href=\"http:\/\/www.kisfvf.com\/\" target=\"_blank\" rel=\"noopener\">\u516c\u5f0fWeb\u30b5\u30a4\u30c8\u306f\u3053\u3061\u3089<\/a><\/strong>\n\n--><\/p>\n<dl>\n<dt>Dates:<\/dt>\n<dd>  Friday, February 3, 2023 ~ Sunday, February 5, 2023 Film Theater, The Museum of Kyoto<br \/> Friday, February 10, 2023 ~ Sunday, February 19, 2023 Online  <\/dd>\n<dt>Co-organizers:<\/dt>\n<dd>  The Museum of Kyoto  <\/dd>\n<dt>Planning &amp; Management:<\/dt>\n<dd>  The 25th Kyoto International Student Film Festival Executive Committee  <\/dd>\n<dt>Operational support:<\/dt>\n<dd>  Kyoto International Student Film Festival Planning Review Committee  <\/dd>\n<dt>Assistance:<\/dt>\n<dd>  Arts and Culture Promotion Fund, Nissha Foundation  <\/dd>\n<dt>Sponsored by:<\/dt>\n<dd>  Kyoto Prefecture, Kyoto City, Kyoto Prefectural Board of Education, Kyoto City Board of Education, The Japan Foundation,<br \/>NPO Film Industry Promotion Organization, Cooperative Japan Film Directors Association, UNIJAPAN,<br \/>Asahi Shimbun Kyoto Bureau, Kyoto Shimbun, NHK Kyoto Broadcasting Station, KBS Kyoto, \u03b1-STATION FM Kyoto,<br \/>Japan Film Producers Federation  <\/dd>\n<dt>Sponsors:<\/dt>\n<dd>  King Records Co., Ltd., Cinema Today Inc., Director&#8217;s Univ Inc.,<br \/>NANLITE JAPAN, Fellows Co., Ltd., Ritsumeikan University Graduate School of Film and Media,<br \/>Grand Marble Co., Ltd., Non-Verbal Theater &#8220;GEAR-&#8220;, Genki Office Co., Ltd.,<br \/>UPLINK Kyoto, Oikaze Co., Ltd., Yamako Co., Ltd., Kyoto Prefectural Federation of Consumer Co-operative Associations  <\/dd>\n<\/dl>\n<h2 id=\"pageLink03\">Programme<\/h2>\n<h4><strong>\u3010Timetable\u3011<\/strong><\/h4>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_timetable.png\"><img decoding=\"async\" class=\"size-medium wp-image-32071 alignleft\" src=\"\/wp-content\/uploads\/page\/43521\/25th_timetable.png\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<h4><strong>[Online Streaming Program]<\/strong><\/h4>\n<table width=\"100%\" style=\"font-size:0.8em\">\n<tr>\n<td class=\"taCenter\" rowspan=\"13\" style=\"background-color:#F2F2F2;\">Package 1<br \/>\uffe51,000<\/td>\n<td class=\"taCenter\" style=\"background-color:#DEEAF6\">Selected Works<\/td>\n<td class=\"taCenter\" rowspan=\"13\" style=\"background-color:#F2F2F2;\">Package 2<br \/>\uffe51,000<\/td>\n<td class=\"taCenter\" style=\"background-color:#DEEAF6\">Selected Works<\/td>\n<td class=\"taCenter\" rowspan=\"13\" style=\"background-color:#CCCCFF;\">Selected Works<br \/>Package 1<br \/>+<br \/>Package 2<br \/>(16)<br \/>+<br \/>Special Events<br \/>(6)<\/p>\n<p>\uffe51,500<\/td>\n<\/tr>\n<tr>\n<td>Sakana IslandTriple IntestineOther<\/td>\n<td>Half<\/td>\n<\/tr>\n<tr>\n<td>Restless Is the Night<\/td>\n<td>Where No One Lives<\/td>\n<\/tr>\n<tr>\n<td>The things we hoped last summer<\/td>\n<td>Fatjona<\/td>\n<\/tr>\n<tr>\n<td>Lunchbox<\/td>\n<td>Jitterbug<\/td>\n<\/tr>\n<tr>\n<td>The Falling Angels<\/td>\n<td>SHELTER<\/td>\n<\/tr>\n<tr>\n<td>THE OPPONENT<\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td>The Woman with the Dog<\/td>\n<td>The Seine&#8217;s Tears<\/td>\n<\/tr>\n<tr>\n<td>Return<\/td>\n<td>Identibye<\/td>\n<\/tr>\n<tr>\n<td style=\"background-color:#FFF2CC\">Special EventsSpecial Projects<\/td>\n<td style=\"background-color:#FFF2CC\"><\/td>\n<\/tr>\n<tr>\n            The Life of <\/p>\n<td>a Yellow Kid<\/td>\n<td>Goldfish<\/td>\n<\/tr>\n<tr>\n<td>Under the Sun<\/td>\n<td>EDMOND<\/td>\n<\/tr>\n<tr>\n<td>The Episodic memory<\/td>\n<td>Les Paul was too heavy.<\/td>\n<\/tr>\n<\/table>\n<p class=\"mt20\">[Competition Winners (16 works in total)]<\/p>\n<h4><strong>[Program A]<\/strong><\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programA_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programA_01.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programA_01.jpg 300w, \/wp-content\/uploads\/page\/43521\/programA_01.jpg 768w, \/wp-content\/uploads\/page\/43521\/programA_01.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programA_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programA_02.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programA_02.jpg 300w, \/wp-content\/uploads\/page\/43521\/programA_02.jpg 768w, \/wp-content\/uploads\/page\/43521\/programA_02.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eThe Falling Angels\u300fYU CHE WU<br \/> TAIWAN \/ 2021 \/ 44min<br \/> National Taiwan University of Arts <\/td>\n<td class=\"taCenter\"> \u300eOther Half\u300fLina Kalcheva<br \/> UK \/ 2021 \/ 14min<br \/> National Film and Television School (UK) <\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programA_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programA_03.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programA_03.jpg 300w, \/wp-content\/uploads\/page\/43521\/programA_03.jpg 768w, \/wp-content\/uploads\/page\/43521\/programA_03.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programA_04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programA_04.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programA_04.jpg 300w, \/wp-content\/uploads\/page\/43521\/programA_04.jpg 768w, \/wp-content\/uploads\/page\/43521\/programA_04.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eThe Seine&#8217;s Tears\u300f<br \/> Yanis Belaid, Eliott Benard, Nicolas Mayeur,<br \/> Etienne Moulin, Hadrien Pinot, Lisa Vicente,<br \/> Philippine Singer , Alice Letailleur<br \/> FRANCE \/ 2021 \/ 9min<br \/> P\u00f4le 3D <\/td>\n<td class=\"taCenter\"> \u300eFatjona\u300fSteve Bache<br \/> GERMANY \/ 2022 \/ 28min<br \/> Filmakademie Baden-W\u00fcerttemberg,Germany <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><strong>[Program B]<\/strong><\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programB_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programB_01.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programB_01.jpg 300w, \/wp-content\/uploads\/page\/43521\/programB_01.jpg 768w, \/wp-content\/uploads\/page\/43521\/programB_01.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programB_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programB_02.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programB_02.jpg 300w, \/wp-content\/uploads\/page\/43521\/programB_02.jpg 768w, \/wp-content\/uploads\/page\/43521\/programB_02.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> &#8220;Sakana Island Stomach Three Intestines&#8221; Moe Wakabayashi<br \/> Japan\/2022\/17min<br \/> Tokyo University of the Arts Graduate School <\/td>\n<td class=\"taCenter\"> \u300eThe things we hoped last summer\u300f<br \/>Park Jongwoo<br \/> KOREA \/ 2022 \/ 35min<br \/> Korea National University of Arts <\/td>\n<\/tr>\n<tr>\n<td><a href=\"\/wp-content\/uploads\/page\/43521\/programB_03.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programB_03.png\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programB_03.png 300w, \/wp-content\/uploads\/page\/43521\/programB_03.png 768w, \/wp-content\/uploads\/page\/43521\/programB_03.png 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td><a href=\"\/wp-content\/uploads\/page\/43521\/programB_04.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programB_04.png\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programB_04.png 300w, \/wp-content\/uploads\/page\/43521\/programB_04.png 768w, \/wp-content\/uploads\/page\/43521\/programB_04.png 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eSHELTER\u300fKim Eunkyung<br \/> KOREA \/ 2022 \/ 25min<br \/> Korea National University of Arts <\/td>\n<td class=\"taCenter\"> \u300eJitterbug\u300fSu Sion<br \/> KOREA \/ 2022 \/ 24min<br \/> Korea National University of Arts <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><strong>[Program C]<\/strong><\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programC_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programC_01.jpg\" alt=\"\" width=\"200\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programC_01.jpg 300w, \/wp-content\/uploads\/page\/43521\/programC_01.jpg 768w, \/wp-content\/uploads\/page\/43521\/programC_01.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programC_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programC_02.jpg\" alt=\"\" width=\"200\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programC_02.jpg 300w, \/wp-content\/uploads\/page\/43521\/programC_02.jpg 768w, \/wp-content\/uploads\/page\/43521\/programC_02.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eIdentibye\u300fSajjad ShahHatami<br \/> IRAN \/ 2021 \/ 15min<br \/> Azad university <\/td>\n<td class=\"taCenter\"> &#8220;Return&#8221; Xu Yiwen<br \/> Japan \/ 2021 \/ 26min<br \/> Kyoto City University of Arts <\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programC_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programC_03.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programC_03.jpg 300w, \/wp-content\/uploads\/page\/43521\/programC_03.jpg 768w, \/wp-content\/uploads\/page\/43521\/programC_03.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programC_04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-31965 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programC_04.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programC_04.jpg 300w, \/wp-content\/uploads\/page\/43521\/programC_04.jpg 768w, \/wp-content\/uploads\/page\/43521\/programC_04.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eTHE OPPONENT\u300fFEDERICO RUSSOTTO<br \/> ITALY \/ 2021 \/ 17min<br \/> CENTRO SPERIMENTALE DI CINEMATOGRAFIA <\/td>\n<td class=\"taCenter\"> \u300eThe Woman with the Dog\u300fJo Yukyeong<br \/> KOREA \/ 2021 \/ 29min<br \/> Chung-ang University <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4><strong>[Program D]<\/strong><\/h4>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programD_01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programD_01.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programD_01.jpg 300w, \/wp-content\/uploads\/page\/43521\/programD_01.jpg 768w, \/wp-content\/uploads\/page\/43521\/programD_01.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programD_02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programD_02.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programD_02.jpg 300w, \/wp-content\/uploads\/page\/43521\/programD_02.jpg 768w, \/wp-content\/uploads\/page\/43521\/programD_02.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> &#8220;I&#8217;m here&#8221; Liu Bo<br \/> Japan\/2022\/48min<br \/> Musashino Art University <\/td>\n<td class=\"taCenter\"> \u300eWhere No One Lives\u300fLi Anne Liew<br \/> USA \/ 2022 \/ 19min<br \/> Chapman University <\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programD_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programD_03.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programD_03.jpg 300w, \/wp-content\/uploads\/page\/43521\/programD_03.jpg 768w, \/wp-content\/uploads\/page\/43521\/programD_03.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43521\/programD_04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-32072 size-medium\" src=\"\/wp-content\/uploads\/page\/43521\/programD_04.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"\/wp-content\/uploads\/page\/43521\/programD_04.jpg 300w, \/wp-content\/uploads\/page\/43521\/programD_04.jpg 768w, \/wp-content\/uploads\/page\/43521\/programD_04.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\"> \u300eRestless Is the Night\u300f<br \/>Xiaoxue Meng, Yuehan Tan<br \/> CHINA, U.S.A.\/2022\/4min<br \/> University of Southern California <\/td>\n<td class=\"taCenter\"> \u300eLunchbox\u300fOH Han-wool<br \/> KOREA \/ 2021 \/ 19min<br \/> Sungkyunkwan University <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Special program<\/h3>\n<h4>Project (1) &#8220;Behind the Scenes of Cinema with Kenzo Horikoshi&#8221; (2\/3 screening)<\/h4>\n<p>Guest: Kenzo Horikoshi<br \/>Screening: &#8220;Yellow Kid&#8221; Director, Script: Tetsuya Mariko 2009 \/ Japan \/ 111min  <\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp01.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp01.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h4>Project (2) FF3 Three Student Film Festival Collaboration Project (2\/3 screening)<\/h4>\n<p>&#8220;Episodic memory&#8221; (Tokyo Student Film Festival, Grand Prix Winner of the Live-Action Short Film Category)<br \/> Director, Script: Rikako Suzuki 2022 \/ Japan \/ 22min41Sec<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp02.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp02.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<p><\/p>\n<p>  &#8220;The Les Paul Was Too Heavy&#8221; (Kansai Student Film Festival Grand Prix Winner)<br \/> Director: Shingen Kaneko 2022 \/ Japan \/ 15min  <\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp03.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp03.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h4>Project (3) &#8220;Chie Hayakawa&#8217;s Screening Project&#8221; (2\/4 screening)<\/h4>\n<p>Guest: Director Chie Hayakawa<br \/> Niagara<br \/> 2014 \/ Japan \/ 27min<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp04.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp04.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h4>Project (4) &#8220;Inudo Isshin Director Screening Project&#8221;<\/h4>\n<p>Guest: Director Isshin Inudo<br \/> &#8220;The Life of a Goldfish&#8221;<br \/> 1997 \/ Japan \/ 18min<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp05.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp05.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h4>Project (5) Screening of Past Selected Films (2\/5)<\/h4>\n<p>&#8220;EDMOND&#8221; (Grand Prix Winner of the 19th Kyoto International Student Film Festival, Anime Division)<br \/> Director, Script: Nina Gantz<br \/> 2015 \/ UK \/ 9min<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp06.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp06.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<p>&#8220;Under the Sun&#8221; (Selected for the 19th Kyoto International Student Film Festival)<br \/> Edited and written by: QIU Yang<br \/> 2015 \/ Australia \/19min<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp07.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-32100 size-full\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp07.jpg\" alt=\"\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h4>Planning (6) Screening of Lee Young-man (2\/5 screening)<\/h4>\n<p>&#8220;Dad&#8217;s Backdrop&#8221;<br \/> Guest: Director Lee Young-man<br \/> 2004 \/ Japan \/ 98min<\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43521\/25th_sp08.jpg\"><img decoding=\"async\" src=\"\/wp-content\/uploads\/page\/43521\/25th_sp08_cap.jpg\" alt=\"Member of the Student Executive Committee of the 18th Conference\" width=\"580\"><\/a><\/p>\n<div class=\"clear\"><\/div>\n<h3>Final Judges<\/h3>\n<table style=\"width:100%;\">\n<tbody>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_inudo.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32111\" src=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_inudo.jpg\" alt=\"\" height=\"200\"><\/a><\/td>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_hayakawa.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32112\" src=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_hayakawa.jpg\" alt=\"\" height=\"200\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\">Isshin Inudo<br \/>(Film Director)<\/td>\n<td class=\"taCenter\">Chie Hayakawa<br \/>(Film Director)<\/td>\n<\/tr>\n<tr>\n<td style=\"width:50%\"><a href=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_lee.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-32111\" src=\"\/wp-content\/uploads\/page\/43174\/2023kisfvf_lee.jpg\" alt=\"\" height=\"200\"><\/a><\/td>\n<\/tr>\n<tr>\n<td class=\"taCenter\">Li Fighter Man<br \/>(Film Director)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Ticket Information<\/h3>\n<table style=\"width:100%\">\n<tr>\n<th style=\"width:calc(100% \/ 3);\"><\/th>\n<th style=\"width:calc(100% \/ 3);\">ALL DAY Pass1DAY<\/th>\n<th style=\"width:calc(100% \/ 3);\"> Pass<\/th>\n<\/tr>\n<tr>\n<td>Adults<\/td>\n<td>: 3,000 yen,<\/td>\n<td>1,500 yen<\/td>\n<\/tr>\n<tr>\n<td>Students<\/td>\n<td>: 2,000 yen,<\/td>\n<td>1,000 yen<\/td>\n<\/tr>\n<tr>\n<td>High school students<\/td>\n<td>: 1,000 yen,<\/td>\n<td>500 yen<\/td>\n<\/tr>\n<tr>\n<td>Free for<\/td>\n<td> <\/td>\n<td>junior high school students and younger<\/td>\n<\/tr>\n<\/table>\n<p>  * Members of the Association of Friends of the Museum of Kyoto can view Programs A~D free of charge upon presentation of their membership card.<br \/> (However, for special events, a ticket fee of 1,000 yen is required for each.)<br \/> *If you are a student (high school student or older), please present your student ID.<br \/><span class=\"block pl1\" style=\"text-indent:-1em;\">* Admission is free upon presentation of a physical disability certificate, rehabilitation certificate, mental disability health and welfare certificate, atomic bomb survivor&#8217;s certificate, or war injury and illness certificate (regardless of class or prefecture). In addition, admission is free for one caregiver per person with a disability. <\/span>* If you show your ticket, you can also see the permanent exhibition in the general exhibition room on the 2nd and 3rd floors of the venue.  <\/p>\n<h3>Result of Submission<\/h3>\n<table>\n<tbody>\n<tr>\n\tTotal for the <\/p>\n<td><strong>year in<\/strong><\/td>\n<td><strong>Japan<\/strong><\/td>\n<p> and <\/p>\n<td><strong>overseas<\/strong><\/td>\n<td><strong><\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong>160 works,<\/strong><\/td>\n<td><strong>221 works, and<\/strong><\/td>\n<td><strong>381 works<\/strong><\/td>\n<p> in <\/p>\n<td><strong>2022<\/strong><\/td>\n<\/tr>\n<tr>\n<td>172 works,<\/td>\n<td>143 works, and<\/td>\n<td>315 works in<\/td>\n<td>2021<\/td>\n<\/tr>\n<tr>\n<td>2020:<\/td>\n<td>100 works,<\/td>\n<td>272 works,<\/td>\n<td>372 works<\/td>\n<\/tr>\n<tr>\n<td>101 works,<\/td>\n<td>176 works, and<\/td>\n<td>277 works<\/td>\n<p> in <\/p>\n<td>2019<\/td>\n<\/tr>\n<tr>\n<td>2018:<\/td>\n<td>98 works,<\/td>\n<td>490 works,<\/td>\n<td>588 works<\/td>\n<\/tr>\n<tr>\n<td>129 works,<\/td>\n<td>356 works, and<\/td>\n<td>485 works<\/td>\n<td>in 2017<\/td>\n<\/tr>\n<tr>\n<td>168 works,<\/td>\n<td>371 works,<\/td>\n<td>539 works in<\/td>\n<td>2016<\/td>\n<\/tr>\n<tr>\n<td>123 works,<\/td>\n<td>94 works, and<\/td>\n<td>217 works<\/td>\n<p> in <\/p>\n<td>2015<\/td>\n<\/tr>\n<tr>\n<td>163 works,<\/td>\n<td>187 works, and<\/td>\n<td>350 works<\/td>\n<td>in 2014<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 class=\"post\" id=\"pageLink04\">Implementation Report<\/h2>\n<p>  The 25th Kyoto International Student Film Festival is dedicated to discovering young talents who will lead the film industry in the future. The event was held for three days from Friday, February 3, 2023 to Sunday, February 5, 2023 at the Film Theater of the Museum of Kyoto. In addition, it was distributed on the video sharing site &#8220;Vimeo&#8221; for 10 days from February 10 (Friday) to February 19 (Sunday), 2022.<br \/> This year&#8217;s competition received 381 entries from all over the world, and 16 films were carefully selected by the student executive committee from among them.<br \/>\nAt the award ceremony on Sunday, February 5, the final day of the awards, the winning directors and final judges, Mr. Isshin Inudo and Mr. Lee Warrior, were invited as guests, and Ms. Chie Hayakawa announced the Grand Prix, Second Prize, Final Jury Awards, and Executive Committee Awards in a video message.<br \/> At the award ceremony, we received comments from the final judges, and we were able to create a place for international exchange and mutual understanding through film.<br \/> The award-winning works are as follows: I wish the young coach all the best in his future endeavors.<br \/> We would like to express our sincere gratitude to everyone who came to the festival and who supported and cooperated with us.   <\/p>\n<h3>Announcement of the results of the competition section<\/h3>\n<p><!-- \u30b0\u30e9\u30f3\u30d7\u30ea\u3053\u3053\u304b\u3089 --><\/p>\n<p class=\"taCenter\"><img decoding=\"async\" class=\"aligncenter wp-image-32739\" src=\"\/wp-content\/uploads\/page\/43174\/GP_kisfvf2023.png\" alt=\"\" width=\"200\"><\/p>\n<p class=\"taCenter\">\n<strong><span style=\"font-size: 14pt\">Grand Prix<br \/>Grand-Prix<\/span><br \/>\n<a href=\"\/wp-content\/uploads\/page\/43174\/lunchbox_still01-scaled.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32074\" src=\"\/wp-content\/uploads\/page\/43174\/lunchbox_still01-scaled.jpg\" alt=\"\u300eLunchbox\u300f\" width=\"300\" height=\"auto\"><\/a><\/strong>\n<\/p>\n<p class=\"taCenter\">  \u300eLunchbox\u300fOH Han-wool<br \/> KOREA \/ 2021 \/ 19min \/ Live Action \/ Sungkyunkwan University<\/p>\n<p>\u226a Synopsis\u226b An older sister receives a call from her younger brother saying that she wants a lunch box. Her older sister, who is blind and has never cooked, tries to make a lunch box for her younger brother for the first time.<\/p>\n<p><!-- \u30b0\u30e9\u30f3\u30d7\u30ea\u3053\u3053\u307e\u3067 --><br \/>\n<\/br><\/p>\n<p><!-- \u6e96\u30b0\u30e9\u30f3\u30d7\u30ea\u3053\u3053\u304b\u3089 --><\/p>\n<p class=\"taCenter\">\n<strong><span style=\"font-size: 14pt\">Second Prize<br \/>Semi Grand-Prix<\/span><br \/>\n<a href=\"\/wp-content\/uploads\/page\/43174\/The-Seines-Tears.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32074\" src=\"\/wp-content\/uploads\/page\/43174\/The-Seines-Tears.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/strong>\n<\/p>\n<p class=\"taCenter\">  \u300eThe Seine&#8217;s Tears\u300f<br \/> Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot,<br \/> Lisa Vicente, Philippine Singer, Alice Letailleur<br \/> FRANCE \/ 2021 \/ 9min \/ Anime \/ P\u00f4le 3D<\/p>\n<p>\u226a synopsis\u226b On October 17, 1961, Algerian workers were sent to them. Demonstrating in the streets to oppose the mandatory curfew imposed by the police.<\/p>\n<p><!-- \u6e96\u30b0\u30e9\u30f3\u30d7\u30ea\u3053\u3053\u307e\u3067 --><br \/>\n<\/br><\/p>\n<p><!-- \u6700\u7d42\u5be9\u67fb\u54e1\u8cde\u3053\u3053\u304b\u3089 --><\/p>\n<p class=\"taCenter\"><span style=\"font-size: 14pt\"><strong>Final Jury Prize<\/strong><\/span><\/p>\n<p class=\"taCenter\"><strong>The Final Judge, Isshin Inudo Award<\/strong><\/span><\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023_inudo.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32087\" src=\"\/wp-content\/uploads\/page\/43174\/2023_inudo.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p class=\"taCenter\">  \u300eThe things we hoped last summer\u300f Park Jongwoo<br \/> KOREA \/ 2022 \/ 35min \/ Live Action \/ Korea National University of Arts<\/p>\n<p>\u226a Synopsis\u226b Children living in a village with a crematorium begin to collect marbles that come out of nowhere. They come to think that if they collect as many Mr.\/Ms.&#8217;s marbles as possible, their wishes will come true. However, their wishes lead them to an unexpected end. In addition, the parents of the children are also swallowed up by the darkness of the long, dark night.<\/p>\n<p><\/br><\/p>\n<p class=\"taCenter\"><strong>The Final Judge, Chie Hayakawa Award<\/strong><\/span><\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023_hayakawa.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32087\" src=\"\/wp-content\/uploads\/page\/43174\/2023_hayakawa.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p class=\"taCenter\">  \u300eThe Falling Angels\u300f YU CHE WU<br \/> TAIWAN \/ 2021 \/ 44min \/ Live Action \/ National Taiwan University of Arts<\/p>\n<p>\u226a synopsis\u226b On a quiet summer day, three different parts of the campus were filled with traumatized teenagers. The heaviness they carry is intertwined with each other. Crying and crying cannot change the fate of the downtrodden.<\/p>\n<p><\/br><\/p>\n<p class=\"taCenter\"><strong>The Final Judge, Toshio Lee Award<\/strong><\/span><\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023_lee.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32087\" src=\"\/wp-content\/uploads\/page\/43174\/2023_lee.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p class=\"taCenter\">  \u300eTHE OPPONENT\u300f FEDERICO RUSSOTTO<br \/> ITALY \/ 2021 \/ 17min \/ Live Action \/ CENTRO SPERIMENTALE DI CINEMATOGRAFIA<\/p>\n<p>\u226a synopsis\u226b Aureliano and Simone don&#8217;t get involved as if they live on different planets. The two hardly speak, fencing is the only thing they can talk about, and with that one thrust, they try to test each other&#8217;s talents and loyalty.<\/p>\n<p><\/br><\/p>\n<p class=\"taCenter\"><strong>KISFVF executive committee Award<\/strong><\/span><\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/sakana_still_1.jpg\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-32087\" src=\"\/wp-content\/uploads\/page\/43174\/sakana_still_1.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p class=\"taCenter\">  &#8220;Sakana Island Stomach Three Intestines&#8221; Moe Wakabayashi<br \/> Japan \/ 2022 \/ 17min \/ Anime \/ Tokyo University of the Arts Graduate School<\/p>\n<p>\u226a Synopsis\u226b The story of a family of three people, a pig, a fish, and a tadpole, who live in the depths of a fish&#8217;s belly. Suddenly, one day, their lives change completely, starting with a fruit that has washed ashore.<\/p>\n<p><!-- \u6700\u7d42\u5be9\u67fb\u54e1\u8cde\u3053\u3053\u307e\u3067 --><br \/>\n<\/p>\n<table style=\"width:100%\">\n<tr>\n<th>Title:<\/th>\n<th>Director,<\/th>\n<th>Work Information<\/th>\n<\/tr>\n<tr>\n<td>&#8220;I&#8217;m here&#8221;<\/td>\n<td>Liu Bo<\/td>\n<td>Musashino Art University<br \/>Japan \/ 2022 \/ 48min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>&#8220;Return&#8221; Xu<\/td>\n<td>Yiwen<\/td>\n<td>Kyoto City University of Arts<br \/>Japan \/ 2021 \/ 26min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eOther Half\u300f<\/td>\n<td>Lina Kalcheva<\/td>\n<td>National Film and Television School (UK)<br \/>UK \/ 2021 \/ 14min \/ Anime<\/td>\n<\/tr>\n<tr>\n<td>\u300eFatjona\u300f<\/td>\n<td>Steve Bache<\/td>\n<td>Filmakademie Baden-W\u00fcerttemberg, Germany<br \/>GERMANY \/ 2022 \/ 28min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eIdentibye\u300f<\/td>\n<td>Sajjad ShahHatami<\/td>\n<td>Azad university<br \/>IRAN \/ 2021 \/ 15min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eRestless Is the Night\u300f<\/td>\n<td>Xiaoxue Meng<br \/>Yuehan Tan<\/td>\n<td>University of Southern California<br \/>China USA \/ 2022 \/ 4min \/ Anime<\/td>\n<\/tr>\n<tr>\n<td>\u300eJitterbug\u300f<\/td>\n<td>Su Sion<\/td>\n<td>Korea National University of Arts<br \/>KOREA \/ 2022 \/ 24min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eSHELTER\u300f<\/td>\n<td>Kim Eunkyung<\/td>\n<td>Korea National University of Arts<br \/>KOREA \/ 2022 \/ 25min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eWhere No One Lives\u300f<\/td>\n<td>Li Anne Liew<\/td>\n<td>Chapman University<br \/>USA \/ 2022 \/ 19min \/ Live Action<\/td>\n<\/tr>\n<tr>\n<td>\u300eThe Woman with the Dog\u300f<\/td>\n<td>Jo Yukyeong<\/td>\n<td>Chung-ang University<br \/>KOREA \/ 2021 \/ 29min \/ Live Action<\/td>\n<\/tr>\n<\/table>\n<h2 id=\"pageLink05\">Pre-Event &amp; Collaborative Planning<\/h2>\n<h3>[Pre-event]<\/h3>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023pre_01.jpg\" alt=\"\" width=\"300\" height=\"auto\"><img decoding=\"async\" class=\"wp-image-32749\" src=\"\/wp-content\/uploads\/page\/43174\/2023pre_01.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p>\n<strong>Last year&#8217;s Grand Prix screening at Kyoto International Film Festival 2022 2022.10.14 (Fri)<\/strong><br \/> Last year&#8217;s Grand Prix film &#8220;Intermezzo&#8221; was screened at Hulic Hall Kyoto. After the screening, the executive committee members took the stage to talk about the appeal of student films and film festivals, and to announce the final jury.  <\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023pre_02.jpg\" alt=\"\" width=\"300\" height=\"auto\"><img decoding=\"async\" class=\"wp-image-32749\" src=\"\/wp-content\/uploads\/page\/43174\/2023pre_02.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p>\n<strong>Pre-Event in Kyoto International Manga Museum 2022.12.11(Sun)<\/strong><br \/> Featuring manga artist Usagimaru Furuya and film producer Yuya Tanaka as guests, the first part screened anime works selected for last year&#8217;s festival and the film &#8220;Lychee Hikari Club&#8221; based on Furuya&#8217;s original story. In the second part, we held a talk show on the theme of &#8220;Students, Movies, and Manga.&#8221;  <\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023pre_03.jpeg\" alt=\"\" width=\"300\" height=\"auto\"><img decoding=\"async\" class=\"wp-image-32749\" src=\"\/wp-content\/uploads\/page\/43174\/2023pre_03.jpeg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p>\n<strong>SHINPA vol.14\u3001Vo\uff4c.15\u30002022.12.10\uff08Sat\uff09\u30012023.1.29\uff08Sun)<\/strong><br \/> This year, we participated in the film screening project &#8220;SHINPA&#8221;, where last year&#8217;s winning films and a video message from the director were screened at LOFT9 Shibuya for SHINPA vol.14 and at Kyoto Minami Kaikan for SHINPA vol.15. After the screening, members of the executive committee took the stage to convey the appeal of the 25th Kyoto International Student Film Festival.  <\/p>\n<p><a href=\"\/wp-content\/uploads\/page\/43174\/2023pre_04.jpg\" alt=\"\" width=\"300\" height=\"auto\"><img decoding=\"async\" class=\"wp-image-32749\" src=\"\/wp-content\/uploads\/page\/43174\/2023pre_04.jpg\" alt=\"\" width=\"300\" height=\"auto\"><\/a><\/p>\n<p>\n<strong>UPLINK Kyoto\u00d7KISFVF 2023.1.22(Sun)<\/strong><br \/> The winner of the Final Jury Prize (Yoshihiko Yatabe Award) of the 24th Kyoto International Student Film Festival, &#8220;Difficult Youth,&#8221; was screened. In addition, we promoted the festival at the gallery of UPLINK Kyoto.  <\/p>\n<h3>\u3010Collaborative Planning\u3011<\/h3>\n<p>\n<strong><dokuso><\/dokuso><\/strong><br \/> A total of seven films were screened, including Taro Kawasaki&#8217;s &#8220;Donut Hole&#8221; and Akiya Mishiro&#8217;s &#8220;Difficult Youth,&#8221; which were screened in the past at the festival.  <\/p>\n<p>\n<strong>\uff1cU-NEXT\uff1e<\/strong><br \/> Based on the concept of having a wide range of people watch student films and making the existence of this film festival known to a wide range of people, we are distributing past winners.  <\/p>\n<p>\n<g id=\"gid_0\"><kyoto><\/kyoto>hospital video distribution&gt;<\/g> <\/p>\n<div class=\"post\">\n<h2 class=\"post\" id=\"pageLink06\">Special Site<\/h2>\n<table>\n<tbody>\n<tr>\n<td><a href=\"https:\/\/twitter.com\/kisfvf\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1720 size-full aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/Twitter_logo_blue.png\" alt=\"Twitter Logo\" width=\"65\" height=\"52\"><\/a><\/td>\n<td><a href=\"http:\/\/www.kisfvf.com\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15152 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/78692eb8438a92f7e11a516981ad7fad-120x90.jpg\" alt=\"Presentation 1\" width=\"100\" height=\"77\"><\/a><\/td>\n<\/tr>\n<tr>\n<td><span class=\"username u-dir\" dir=\"ltr\">@kisfvf<\/span><\/td>\n<td>official website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 class=\"post\" id=\"pageLink07\">executive committee<\/h2>\n<p><img decoding=\"async\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/25th_boshu.jpg\" alt=\"Call for Executive Committees\"><\/p>\n<p>  The Kyoto International Film Festival Executive Committee is looking for students who will enliven the festival.<br \/> The festival will receive a wide variety of films from both domestic and international countries. In addition, the executive committee is student-led, from the solicitation of films to the screening and management of the film festival. Through a series of activities such as public relations activities and sponsorship requests, you can learn the know-how of festival management.<br \/> Students from various universities and faculties participate in the executive committee, regardless of grade, so friendships are expanded. Even if you are a beginner, senior executive committee members and university consortium Kyoto staff will support your activities, so please feel free to contact us.  <\/p>\n<p><a href=\"http:\/\/www.kisfvf.com\/contact\/\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1720\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/183.177.245.951.gif\" alt=\"\" width=\"192\" height=\"32\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<table>\n<tbody>\n<tr>\n<td>Location:<\/td>\n<td>Campus Plaza Kyoto (6th floor office, 5th floor joint laboratory, online)<\/td>\n<\/tr>\n<tr>\n<td>Frequency of activities:<\/td>\n<td>General meetings, department meetings, art viewing, training, etc. about once a week (depending on the month)<\/td>\n<\/tr>\n<tr>\n<td>Participating Universities<br \/> (Results)<\/td>\n<td>Kyoto University, Kyoto Institute of Technology, Kyoto University of Foreign Studies, Kyoto College of Nursing, Saga Art University,<br \/> Kyoto Sangyo University, Kyoto Women&#8217;s University, The Kyoto College of Graduate Studies for Informatics, Kyoto University of Art and Design,<br \/> Kyoto University of Pharmaceutical Sciences, Seian University of Art and Design, Doshisha Women&#8217;s University, Doshisha University, Bukkyo University,<br \/> Ritsumeikan University, Ryukoku University, Osaka University, Osaka College of Music, Osaka University of Commerce, Kobe University, Kansai University,<br \/>Gunma University, Nagano Prefectural University, Gakushuin University, The University of Tokyo, etc.<\/td>\n<\/tr>\n<tr>\n<td>Organizer<\/td>\n<p>: <\/p>\n<td>University Consortium Kyoto<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<div class=\"post\">\n<h2 class=\"text_exposed_show\" id=\"pageLink08\">Contact us<\/h2>\n<p>The 25th Kyoto International Student Film Festival Executive Committee<br \/> \u3012600-8216 Shimogyo-ku, Kyoto-shi, Nishitoin-dori, Shiokoji Shimoru Campus Plaza Kyoto<br \/> TEL: 075-353-9189 (Tue~Sat 9:00~17:00) FAX: 075-353-9101<br \/> E-MAIL: info-kisfvf-ml\u25a0consortium.or.jp (Please replace \u25a0 with @)<a href=\"mailto:info@kisfvf.com\"><br \/><\/a>HP\uff1ahttp:\/\/www.kisfvf.com\/<\/p>\n<\/p><\/div>\n<p>&nbsp;<\/p>\n<div style=\"width: 1000px;overflow: hidden\">\n<div> <\/div>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Business Overview Outline of the event Programme Implementation Report Pre-Event &amp; Collaborative Planning Special Site executive committee Contact us Business Overview The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema. Historically, Kyoto is a &#8220;movie town&#8221; that still inherits the cultural heritage of the early [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":118651,"menu_order":3102,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-128684","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-15 21:46:01","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128684"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=128684"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128684\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/118651"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=128684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}