{"id":128692,"date":"2020-03-11T11:00:19","date_gmt":"2020-03-11T02:00:19","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/details\/2019-1"},"modified":"2020-03-11T11:00:19","modified_gmt":"2020-03-11T02:00:19","slug":"2019-1","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/details\/2019-1","title":{"rendered":"2019 The 22nd Kyoto International Student Film Festival"},"content":{"rendered":"

Business Overview<\/h2>\n

The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema.
Historically, Kyoto is a “movie town” that still inherits the cultural heritage of the early days of Japan cinema, and it is also a “university town and student town” where students account for 10% of the population of Kyoto City. The festival aims to revitalize Kyoto by creating a place for international exchange and mutual understanding by discovering and introducing talents who can add new fields to cinema from among the many possibilities of films from around the world.<\/p>\n

Outline of the event<\/h2>\n

\"\"<\/a><\/p>\n

22nd Kyoto International Student Film Festival<\/h3>\n

Click here for the official website<\/a><\/strong><\/p>\n

\n
Dates:<\/dt>\n
Friday, February 21, 2020 ~ Sunday, February 23, 2020 *Award ceremony on the last day<\/dd>\n
Co-organizers:<\/dt>\n
The Museum of Kyoto<\/dd>\n
Planning & Management:<\/dt>\n
The 22nd Kyoto International Student Film Festival Executive Committee<\/dd>\n
Operational support:<\/dt>\n
Kyoto International Student Film Festival Planning Review Committee<\/dd>\n
Assistance:<\/dt>\n
Arts and Culture Promotion Fund, Nischa Printing Culture Foundation<\/dd>\n
Sponsored by:<\/dt>\n
Agency for Cultural Affairs, Kyoto Prefecture, Kyoto City, Kyoto Prefectural Board of Education, Kyoto City Board of Education, The Japan Foundation,
NPO Image Industry Promotion Organization, Cineaste Organization Osaka,
Cooperative Japan Film Directors Association, UniJapan, Asahi Shimbun Kyoto Bureau,
Kyoto Shimbun, NHK Kyoto Broadcasting Station, KBS Kyoto, \u03b1-STATION FM Kyoto<\/dd>\n
Sponsors:<\/dt>\n
Kyoetsu Co., Ltd., Director’s Unibu Co., Ltd., Ritsumeikan University Graduate School of Film and Media,
Genki Office Co., Ltd., J:COM Kyoto Miyabijon, Oikaze Co., Ltd.,
Nitto Pharmaceutical Co., Ltd., Yamako Co., Ltd., Kyoto Prefectural Federation of Consumer Co-operative Associations<\/dd>\n<\/dl>\n

Programme<\/h2>\n

Timetable<\/h3>\n

\"\"<\/a><\/p>\n

Competition Winners (16 works in total)<\/h3>\n

Program A<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eThe Shepherd \u300fBrwa Vahabpour
NORWAY \/ 2018 \/ 17min \/ Live Action
The Norwegian Film School<\/td>\n		“Revenge!”
Japan \/ 2019 \/ 74min \/ Live Action
Kyoto University of Art and Design<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eAFTER THE RAIN\u300f
Val\u00e9rian DESTERNE, Rebecca BLACK,
C\u00e9line COLLIN, <\/span>Juan Olarte,
Juan Pablo DE LA ROSA ZALAMEA, <\/span>
Carlos Osmar SALAZAR TORNERO,
Lucile PALOMINO<\/span>
FRANCE \/ 2018 \/ 8min \/ Anime
MOPA<\/td>\n		\u300eTILL THE END OF THE WORLD\u300f
Florence Bouvy
THE NETHERLANDS \/ 2018 \/ 27min \/ Live Action
The Netherlands Film academy<\/p>\n

\n <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program B<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eTERROR\u300fYonatan Shehoah
ISRAEL \/ 2018 \/ 16min \/ Live Action
The Maaleh School of Film and Television <\/td>\n		\u300eNo Gravity\u300f
Charline Parisot, J\u00e9r\u00e9my Ciss\u00e9,
Fioretta Caterina Cosmidis, <\/span>Flore Allier-Estrada,
Maud Lema\u00eetre-Blanchart, Ludovic Abraham<\/span>
FRANCE \/ 2018 \/ 8min \/ Anime
Supinfocom Rubika<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
“The Brothers of Nakamuraya Sake Store” Daichi Shiraiso
Japan \/ 2019 \/ 45min \/ Live Action
Mejiro University<\/td>\n		 \u300eJust in Time\u300fColin Huang
TAIWAN \/ 2019 \/ 29min \/ Live Action
Taipei National University of the Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program C<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eThe Stained Club\u300f
M\u00e9lanie Lopez, Simon Boucly, Marie Ciesielski,<\/span>
Alice Jaunet, Chan St\u00e9phie Peang, B\u00e9atrice Viguier<\/span>
FRANCE \/ 2018 \/ 7min \/ Anime
Supinfocom Rubika<\/td>\n		\u300eShe-Pack\u300fFanny Ovesen
NORWAY \/ 2018 \/ 18min \/ Live Action
The Norwegian Film School<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
“Sheep, Tangerine, and Sunday” Sadato Takenaka
Japan \/ 2019 \/ 49min \/ Live Action
Tokyo University of the Arts Graduate School<\/td>\n		\u300eUntamed\u300fFran\u00e7ois et Vincent Lluelles
FRANCE \/ 2018 \/ 25min \/ Live Action
ESRA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program D<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
“Hitohira” Natsumi Yoshida, Rika Machida
Japan \/ 2018 \/ 30min \/ Live Action
Waseda University<\/td>\n		\u300eOne Way Ticket\u300f
LEUNG Wing Ho
HONG KONG \/ 2018 \/ 28min \/ Live Action
Hong Kong Academy for Performing Arts<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
“Discarded Seeds” Lu Yifei
China, Japan\/2019\/5min\/
animation
Shanghai Jiao Tong University<\/td>\n		\u300eKippah\u300fLukas Nathrath
GERMANY \/ 2019 \/ 25min \/ Live Action
Hamburg Media School<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Special Events<\/h3>\n

Project (1) “Screening Project by Takahisa Sesa” (2\/22 screening)<\/h4>\n

Guest: Takahisa Seta (Director)<\/strong><\/p>\n

“Gangster, is it sunny over there?”
1985 \/ Japan \/ 28 min.
Director: Takahisa Seta
A 16mm independent film made while studying at Kyoto University. It depicts the escapades of a middle-aged yakuza who has escaped from an incident in Tokyo, a right-wing boy, and a young girl who is looking for a riverbank of rape blossoms, which is the original scenery of her mother.<\/p>\n

\"\"<\/a><\/p>\n

<\/div>\n

Project (2) “Screening Project by Takuji Suzuki” (2\/23 screening)<\/h4>\n

Guests: Takuji Suzuki (Director), Reiyoshi Onishi (Actress)<\/strong><\/p>\n

“Arashiden”
2019 \/ Japan \/ HD \/ 1: 1.85 \/ 114 min
Director: Takuji Suzuki
Distributor: Migrant Birds, Magic Hour
In the city of the streetcar “Arashiden” that runs in Kyoto, three pairs of men and women unfold a strange story of love and fantasy.<\/p>\n

\"\"
\n <\/a><\/p>\n

Copyright\uff1a(C)Migrant Birds\/Omuro\/Kyoto Univercity of Art and Design<\/p>\n

<\/span><\/p>\n

Final Judges<\/h3>\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
Reiyoshi Onishi
(Actress)<\/td>\n		Takuji Suzuki
(Film Director, Actor)<\/td>\n		Takahisa Seta
(Film Director)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Ticket Information<\/h3>\n\n\n\n\n\n\n
<\/td>\nALL DAY Pass1DAY<\/td>\n Pass<\/td>\n<\/tr>\n
Adults<\/td>\n: 3,000 yen,<\/td>\n1,500 yen<\/td>\n<\/tr>\n
Students (high school students and older)<\/td>\n2,000 yen,<\/td>\n1,000 yen<\/td>\n<\/tr>\n
Free for<\/td>\n <\/td>\njunior high school students and younger<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

* Members of the Association of Friends of the Museum of Kyoto can view Programs A~D free of charge upon presentation of their membership card.
However, for special events, a ticket fee of 1,000 yen is required for each.
*If you are a student (high school student or older), please present your student ID.
* If you show your ticket, you can also see the permanent exhibition in the general exhibition room on the 2nd and 3rd floors.\n <\/p>\n

Result of Submission<\/h3>\n\n\n\nTotal for the <\/p>\n\n\n\n\n\n\n
year in<\/strong><\/td>\nJapan<\/strong><\/td>\n

and <\/p>\n

overseas<\/strong><\/td>\n<\/strong><\/td>\n<\/tr>\n
\n

FY2019<\/strong><\/p>\n<\/td>\n

101 works,<\/strong><\/td>\n176 works,<\/strong><\/td>\n277 works<\/strong><\/td>\n<\/tr>\n
\n

FY 2018<\/p>\n<\/td>\n

98 works,<\/td>\n490 works,<\/td>\n588 works<\/td>\n<\/tr>\n
\n

FY 2017<\/p>\n<\/td>\n

129 works,<\/td>\n356 works,<\/td>\n485 works<\/td>\n<\/tr>\n
\n

FY 2016<\/p>\n<\/td>\n

168 works,<\/td>\n371 works,<\/td>\n539 works<\/td>\n<\/tr>\n
\n

FY 2015<\/p>\n<\/td>\n

123 works,<\/td>\n94 works,<\/td>\n217 works<\/td>\n<\/tr>\n
\n

FY 2014<\/p>\n<\/td>\n

163 works,<\/td>\n187 works,<\/td>\n350 works<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Implementation Report<\/h2>\n

The 22nd Kyoto International Student Film Festival is dedicated to discovering young talents who will lead the film industry in the future. The event was held for three days from Friday, February 21 to Sunday, February 23, 2020 at the Film Theater of The Museum of Kyoto.
This year’s competition received 277 entries from 30 countries and regions, and 16 films were screened carefully selected by the student executive committee.
At the award ceremony on Sunday, February 23, the final day of the awards, the winning directors and final judges Reiyoshi Onishi, Takuji Suzuki, and Takahisa Seta were invited as guests to announce the Grand Prix, Second Grand Prix, and Final Jury Awards.
At the award ceremony, after the screening of the Grand Prize and the two runner-up prizes, the final jury gave their comments, and we were able to create a place for international exchange and mutual understanding through film.
The award-winning works are as follows: I wish the young coach all the best in his future endeavors.
We would like to express our sincere gratitude to everyone who came to the festival and who supported and cooperated with us.<\/p>\n

Announcement of the results of the competition section<\/h3>\n

\"\"<\/a><\/p>\n

Grand Prix<\/span>
\n \"\"<\/a><\/strong><\/p>\n

\u300eTILL THE END OF THE WORLD\u300fFlorence Bouvy
THE NETHERLANDS \/ 2018 \/ 27min \/ The Netherlands Film academy<\/p>\n

\u226aSynopsis\u226b Eight-year-old Marie loves her father’s Mr.\/Ms.. In a world where hilarious dreams can suddenly turn into the eyes of a dead fish she has never seen, Marie tries to stand on her own. The story depicts the strength of a young girl in the face of her father’s unconditional love.<\/p>\n

\"\"<\/a>Second Prize<\/span>
\n \"\"<\/a><\/strong><\/p>\n

\u300eShe-Pack\u300fFanny Ovesen
NORWAY \/ 2018 \/ 18min \/ The Norwegian Film School<\/p>\n

\u226a Synopsis\u226b When the girls exceed the limits of their strength and power, anarchy appears in the public pool. On that day, a disco party is held at the public pool to celebrate her birthday, and the underdog Ronya challenges the girl who is the leader to a game to see who will be the next leader. The game gradually escalates, and as the thirst for dominance grows, Ronya and the girls lose control.\n <\/p>\n

\"\"<\/a><\/p>\n

Final Jury Prize<\/strong><\/span>
The Final Judge, Ayaka Onishi Award<\/strong>
\n \"\"<\/a><\/p>\n

\u300eThe Shepherd\u300fBrwa Vahabpour
NORWAY \/ 2018 \/ 17min \/ The Norwegian Film School<\/p>\n

\u226a Synopsis\u226b A Kurdish family flees to Norway as refugees. On the way to a relative’s wedding, he runs over a wild animal. In the snowy landscape of pure white, the intertwined feelings and conflicts of the family emerge.\n <\/p>\n

The Final Judge, Takuji Suzuki Award<\/span>\u3000<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

“Hitohira” Natsumi Yoshida, Rika Machida
Japan\/2018\/30min\/Waseda University<\/p>\n

\u226a Synopsis\u226b Izumi and Yoichi, two childhood friends, had a secret game that they couldn’t tell anyone. In the fall of their third year of junior high school, the two embark on a journey to find a cosmos field. Izumi thinks that growing up is unclean, and she fears that one day she will be like that. Is it possible to grow up “while still clean” without losing anything? Also, what is the dirt she thinks? “A girl who doesn’t want to be a woman” Izumi’s story.\n <\/p>\n

The Final Judge, Takahisa Zeze Award<\/strong><\/span><\/p>\n

\"\"<\/a><\/p>\n

\u300eNo Gravity\u300fCharline Parisot, J\u00e9r\u00e9my Ciss\u00e9,Fioretta Caterina Cosmidis,FloreAllier-Estrada,
Maud Lema\u00eetre-Blanchart,Ludovic Abraham
FRANCE \/ 2018 \/ 8min \/ Supinfocom Rubika<\/p>\n

\u226a Synopsis\u226b The story of an astronaut who returns to Earth and tries to adjust to life on Earth again.<\/p>\n

Other Selected Works<\/strong><\/h3>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Title:<\/td>\nDirector,<\/span><\/td>\nWork Information<\/span><\/td>\n<\/tr>\n
“Revenge!”<\/span><\/td>\n<\/span><\/td>\nKyoto University of Art and Design
Japan \/ 2019 \/ 74min
<\/span><\/td>\n<\/tr>\n
\u300eAFTER THE RAIN\u300f<\/span><\/td>\nVal\u00e9rian DESTERNE,
Rebecca BLACK, <\/span>
C\u00e9line COLLIN,
Juan Olarte, <\/span>
Juan Pablo DE LA ROSA ZALAMEA, <\/span>
Carlos Osmar SALAZAR TORNERO, <\/span>
Lucile PALOMINO<\/span><\/td>\n		MoPA
FRANCE \/ 2018 \/ 8min
<\/span><\/td>\n<\/tr>\n
\u300eTERROR\u300f<\/span><\/td>\nYonatan Shehoah<\/span><\/td>\n\n

The Maaleh School of Film \uff06 Television
ISRAEL \/ 2018 \/ 16min
\n <\/span><\/p>\n<\/td>\n<\/tr>\n

“The Brothers of Nakamuraya Sake Store”<\/span><\/td>\nDaichi Shiraiso<\/span><\/td>\nMejiro University
Japan \/ 2019 \/ 45min
<\/span><\/td>\n<\/tr>\n
\u300eJust in Time\u300f<\/span><\/td>\nColin Huang<\/span><\/td>\nNational Taipei University of the Arts
TAIWAN \/ 2019 \/ 29min
<\/span><\/td>\n<\/tr>\n
\u300eThe Stained Club\u300f<\/span><\/td>\nM\u00e9lanie Lopez,
Simon Boucly, <\/span>
Marie Ciesielski,
Alice Jaunet, <\/span>
Chan St\u00e9phie Peang,
B\u00e9atrice Viguier<\/span><\/td>\n		Supinfocom Rubika
FRANCE \/ 2018 \/ 7min
<\/span><\/td>\n<\/tr>\n
“Sheep, Tangerine, and Sunday”<\/span><\/td>\nSadato Takenaka<\/span><\/td>\nTokyo University of the Arts Graduate School
Japan \/ 2019 \/ 49min
<\/span><\/td>\n<\/tr>\n
\u300eUntamed\u300f<\/span><\/td>\nFran\u00e7ois et Vincent Lluelles<\/span><\/td>\nESRA
FRANCE \/ 2018 \/ 25min
<\/span><\/td>\n<\/tr>\n
\u300eOne Way Ticket\u300f<\/td>\nLEUNG Wing Ho<\/td>\nHong Kong Academy for Performing Arts
HONG KONG \/ 2018 \/ 28min<\/td>\n<\/tr>\n
“Discarded Seeds” Lu<\/td>\nYifei<\/td>\nShanghai Jiao Tong University
China, Japan \/ 2019 \/ 5min<\/td>\n<\/tr>\n
\u300eKippah\u300f<\/td>\nLukas Nathrath<\/td>\nGermany\/Hamburg Media School
GERMANY \/ 2019 \/ 25min<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

 <\/p>\n

Pre-Event & Collaborative Planning<\/h2>\n

Pre<\/strong><\/h3>\n

\"\"<\/a><\/p>\n

Kyoto International Student Film Festival Pre-Event in Manga Museum Saturday, December 14<\/strong><\/p>\n

Kyoto International Student Film Festival Pre-Event in Manga Museum was held. The 21st Grand Prix film of this festival, “Love so hot that it boils water” directed by Nakano Ryota, was screened and a talk session was held, and Nakano talked about his filmmaking as a student and his thoughts on his own work. We also held a workshop where everyone created a single video by drawing their favorite pictures using an iPad and stylus to each frame of a short story video.<\/p>\n

Collaborative Projects<\/h3>\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
Camo Cinema 15
Saturday, August 17<\/p>\n

I had the pleasure of having an invitation screening at Camo Cinema, which holds outdoor movie screenings every summer. On the day of the event, the 21st winner “The Unbeaked” was screened. It was a great opportunity for people of all ages passing by the Kamo River to learn about the fun of student films and the film festival<\/span>.<\/p>\n<\/td>\n

Exhibited at the Kyoto Student Festival Booth
October 13 (Sun)<\/p>\n

We exhibited a booth at the 17th Kyoto Student Festival. We set up games related to the film, and people of all ages, from children to adults, participated in the event, and we were able to promote the festival.
\n <\/span><\/p>\n<\/td>\n

Kyoto International Film Festival Invitational Screening
Saturday, October 19<\/p>\n

As one of the Kyoto International Film Festivals, we had an invited screening at Aeon Cinema Kyoto Katsuragawa. In addition to screening the four films selected for the 21st festival, a talk event was held, and it was a good experience for the executive committee members for the 22nd festival.
\n <\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n

Special Site<\/h2>\n\n\n\n\n
\"Twitter<\/a><\/td>\n\"Presentation<\/a><\/td>\n<\/tr>\n
@kisfvf<\/span><\/td>\nofficial website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

executive committee<\/h2>\n

The Kyoto International Film Festival Executive Committee is looking for students who will enliven the festival.
The festival receives a wide variety of films, both domestic and international. In addition, the executive committee is student-led, from the solicitation of films to the screening and management of the film festival. Through a series of activities such as public relations activities and sponsorship requests, you can learn the know-how of festival management.
Students from various universities and faculties participate in the executive committee, regardless of grade, so friendships are expanded. Even if you are a beginner, senior executive committee members and university consortium Kyoto staff will support your activities, so please feel free to contact us.<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n\n\n\n\n\n\n
Location:<\/td>\nCampus Plaza Kyoto (6th floor office, 5th floor joint laboratory)<\/td>\n<\/tr>\n
Frequency of activities:<\/td>\nGeneral meetings, department meetings, art viewing, training, etc. about once a week (depending on the month)<\/td>\n<\/tr>\n
Participating Universities
(Results)<\/td>\n		Kyoto University, Kyoto Institute of Technology, Kyoto University of Foreign Studies, Kyoto College of Nursing, Saga Art University,
Kyoto Sangyo University, Kyoto Women’s University, The Kyoto College of Graduate Studies for Informatics, Kyoto University of Art and Design,
Kyoto University of Pharmaceutical Sciences, Seian University of Art and Design, Doshisha Women’s University, Doshisha University, Bukkyo University,
Ritsumeikan University, Ryukoku University, Kobe University, Kansai University, etc.<\/td>\n<\/tr>\n
Organizer<\/td>\n

: <\/p>\n

University Consortium Kyoto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n

Contact us<\/h2>\n

The 22nd Kyoto International Student Film Festival Executive Committee
\u3012600-8216 Shimogyo-ku, Kyoto-shi, Nishitoin-dori, Shiokoji Shimoru Campus Plaza Kyoto
TEL: 075-353-9189 (Closed on Mondays) FAX: 075-353-9101
E-MAIL: info-kisfvf-ml\u25a0consortium.or.jp (Please replace \u25a0 with @)
<\/a>HP\uff1ahttp:\/\/www.kisfvf.com\/<\/p>\n<\/div>\n

 <\/p>\n

\n
<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Business Overview The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, create opportunities for students to screen them, and to discover human resources and talents who will lead the future of cinema. Historically, Kyoto is a “movie town” that still inherits the cultural heritage of the early days of Japan cinema, and it is also a “university town and student town” where students account for 10% […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":118651,"menu_order":3129,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-128692","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-09 00:02:06","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128692"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=128692"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128692\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/118651"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=128692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}