{"id":128702,"date":"2019-03-11T15:59:53","date_gmt":"2019-03-11T06:59:53","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/details\/2018-2"},"modified":"2019-03-11T15:59:53","modified_gmt":"2019-03-11T06:59:53","slug":"2018-2","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/details\/2018-2","title":{"rendered":"2018 The 21st Kyoto International Student Film Festival"},"content":{"rendered":"<p><\/p>\n<ul class=\"linkArrowDown partitionWrap\">\n<li><a href=\"#pageLink01\">Business Overview<\/a><\/li>\n<li><a href=\"#pageLink02\">Outline of the event<\/a><\/li>\n<li><a href=\"#pageLink04\">Programme<\/a><\/li>\n<li><a href=\"#pageLink03\">Final Judges<\/a><\/li>\n<li><a href=\"#pageLink06\">Implementation Report<\/a><\/li>\n<li><a href=\"#pageLink05\">Pre-Event &amp; Collaborative Planning<\/a><\/li>\n<li><a href=\"#pageLink07\">Special Site<\/a><\/li>\n<li><a href=\"#pageLink08\">executive committee<\/a><\/li>\n<li><a href=\"#pageLink09\">Contact us<\/a><\/li>\n<\/ul>\n<h2 id=\"pageLink01\">Business Overview<\/h2>\n<p><span style=\"font-size: 10pt;\">The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto, and is now in its 21st year. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, and create opportunities for students to screen them, and to discover human resources and talents who will lead the future of filmmakers.<br \/> Historically, Kyoto is a &#8220;movie town&#8221; that still inherits the cultural heritage of the early days of Japan cinema, and it is also a &#8220;university town and student town&#8221; where students account for 10% of the population of Kyoto City. The festival aims to revitalize Kyoto by creating a place for international exchange and mutual understanding by discovering and introducing talents who can add new fields to cinema from among the many possibilities of films from around the world.<\/span><\/p>\n<h2 id=\"pageLink02\">Outline of the event<\/h2>\n<p><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27337\" rel=\"attachment wp-att-27337\"><img decoding=\"async\" class=\"size-medium wp-image-27337 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/0676f45e3de31a7605be66ca0daee678-300x224.png\" alt=\"Title image\" width=\"300\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/0676f45e3de31a7605be66ca0daee678-300x224.png 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/0676f45e3de31a7605be66ca0daee678-120x90.png 120w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/0676f45e3de31a7605be66ca0daee678.png 700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><strong><span style=\"font-size: 12pt;\">Concept &#8220;Uneasy Fashion, Four Sea Brothers&#8221;<\/span><\/strong><\/p>\n<p><span style=\"font-size: 10pt;\">As Japan&#8217;s largest international student film festival with a 20-year tradition, it will create a place for exchange between domestic and foreign artists, leading to the discovery of talents that will spread their wings in the future.<br \/>  In addition, we will focus on training the executive committee members so that they can convey the further appeal of many works that are full of potential, and aim to be a film festival suitable for the new beginning of the 21st festival.<\/span><\/p>\n<h3>21st Kyoto International Student Film Festival<\/h3>\n<p><strong>\u25c6\u25c6 <a href=\"http:\/\/www.kisfvf.com\/\" target=\"_blank\" rel=\"noopener\" style=\"background-image: none !important;padding-right: 0 !important;\">Click here for the official website<\/a> \u25c6\u25c6<\/strong><\/p>\n<dl class=\"dl_list01-2\">\n<dt>Date: Tuesday,<\/dt>\n<dd>November 27, 2018 ~ Sunday, December 2, 2018 *On the last day, the award ceremony<\/dd>\n<dt>will be held at<\/dt>\n<p> the Museum <\/p>\n<dd><a href=\"http:\/\/www.bunpaku.or.jp\/\" targete=\"_blank\">of Kyoto<\/a> Film Theater (Sanjo Takakura, Nakagyo-ku, Kyoto)<\/dd>\n<dt>Price:<\/dt>\n<dd><\/dd>\n<\/dl>\n<div class=\"spScroll\">\n<table class=\"mb30\">\n<tbody>\n<tr class=\"taCenter\">\n<td width=\"30%\"> <\/td>\n<td width=\"35%\">1 DAY PASSALL<\/td>\n<td width=\"35%\">DAY PASS<\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td class=\"taLeft\">Adults<\/td>\n<td>: 1,000 yen,<\/td>\n<td>2,000 yen<\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td class=\"taLeft\">Students (high school students and older)<\/td>\n<td>800 yen,<\/td>\n<td>1,800 yen<\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>Free for<\/td>\n<td> <\/td>\n<td class=\"taLeft\">junior high school students and younger<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<dl class=\"dl_list01-2\">\n<dt>Organizers:<\/dt>\n<dd>University Consortium Kyoto<\/dd>\n<dt>Co-organizers:<\/dt>\n<dd>The Museum of Kyoto<\/dd>\n<dt>Planning &amp; Management:<\/dt>\n<dd>The 21st Kyoto International Student Film Festival Executive Committee<\/dd>\n<dt>Operational support:<\/dt>\n<dd>Kyoto International Student Film Festival Planning Review Committee<\/dd>\n<dt>Assistance:<\/dt>\n<dd>Arts and Culture Promotion Fund \/ Nischa Printing Culture Promotion Foundation<\/dd>\n<dt>Sponsored by:<\/dt>\n<dd>Kyoto Prefecture, Kyoto City, Kyoto Prefectural Board of Education, Kyoto City Board of Education,<br \/> The Japan Foundation, NPO Japan Film Industry Promotion Organization, Cineaste Organization Osaka,<br \/> Cooperative Japan Film Directors Association, UniJapan, Asahi Shimbun Kyoto Bureau<br \/> Kyoto Shimbun, NHK Kyoto Broadcasting Station, KBS Kyoto, \u03b1-STATION FM Kyoto<\/dd>\n<dt>Sponsors:<\/dt>\n<dd>Genki Office Co., Ltd., Director&#8217;s Unibu Co., Ltd., Kyoetsu Co., Ltd.,<br \/> J:COM Kyoto Miyabijoon, Ritsumeikan University Graduate School of Film and Media, Murata Machine Co., Ltd.,<br \/> Milano Corporation Co., Ltd., Kyoto Prefectural Federation of Consumer Co-operative Associations<\/dd>\n<dt>Sponsorship:<\/dt>\n<dd>Yamako Corporation<\/dd>\n<\/dl>\n<h2 id=\"pageLink04\">Programme<\/h2>\n<p class=\"mb50\"><a href=\"https:\/\/youtu.be\/Z234CGiDtaY\" target=\"_blank\" rel=\"noopener\">21st Kyoto International Student Film Festival Trailer<\/a><\/p>\n<h3>Timetable<\/h3>\n<p><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e3%82%bf%e3%82%a4%e3%83%a0%e3%83%86%e3%83%bc%e3%83%96%e3%83%ab%e6%9c%ac%e7%a5%ad%ef%bc%89\" rel=\"attachment wp-att-26467 noopener\" target=\"_blank\" style=\"background:none !important;\"><img decoding=\"async\" class=\"size-medium wp-image-26467\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/55c02f989fa259f23792b3f8454ebb75-300x182.jpg\" alt=\"Timetable\" width=\"300\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/55c02f989fa259f23792b3f8454ebb75-300x182.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/55c02f989fa259f23792b3f8454ebb75.jpg 665w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<h3>Competition Winners (16 films from 11 countries)<\/h3>\n<h4>Program A<\/h4>\n<table width=\"100%\" style=\"background-color: #1abdeb;\" class=\"mb50\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/the-net\" rel=\"attachment wp-att-26322\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-26322 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/The-Net-300x127.png\" alt=\"\u300eThe Net\u300f\" width=\"224\" height=\"95\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/The-Net-300x127.png 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/The-Net-768x324.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/The-Net-1024x432.png 1024w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/mascarpone\" rel=\"attachment wp-att-26325\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26325 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-300x162.jpg\" alt=\"\u300eMascarpone\u300f\" width=\"224\" height=\"121\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-300x162.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-768x415.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-1024x554.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone.jpg 1998w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eThe Net\u300fHae-guen Jeon<br \/> Korea \/ 32min \/<br \/> The University of Suwon<\/td>\n<td>\u300eMascarpone\u300fJonas Riemer<br \/> Germany \/ 14min \/ Film University Babelsberg KONRAD WOLF<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/limbecque\" rel=\"attachment wp-att-26326\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26326 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/LImbecque-300x169.jpg\" alt=\"\u300eThe Unbeaked\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/LImbecque-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/LImbecque-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/LImbecque-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/LImbecque.jpg 1920w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/rotkaeppchen\" rel=\"attachment wp-att-26327\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26327 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-300x169.jpg\" alt=\"\u300eLittle Red Riding Hood\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen.jpg 1920w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eThe Unbeaked\u300fHugo GLAVIER<br \/> France \/ 4min \/ <br \/> L&#8217;\u00e9cole Estienne<\/td>\n<td>\u300eLittle Red Riding Hood\u300f<br \/> Lynn Oona Baur, Germany \/ <br \/> 8min \/ Hamburg Media School<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Program B<\/h4>\n<table width=\"100%\" style=\"background-color: #e036cd;\" class=\"mb50\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e3%82%b1%e3%82%a2%e3%83%b3%e3%81%ae%e9%a6%96%e3%81%9f%e3%81%a1\" rel=\"attachment wp-att-26328\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26328 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/9b2616f9fb9f73d98fe8ecd7c81c8d37-300x169.jpg\" alt=\"\"The Heads of Cairn\"\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/9b2616f9fb9f73d98fe8ecd7c81c8d37-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/9b2616f9fb9f73d98fe8ecd7c81c8d37-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/9b2616f9fb9f73d98fe8ecd7c81c8d37-1024x576.jpg 1024w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/endling\" rel=\"attachment wp-att-26329\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26329 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Endling-300x126.jpg\" alt=\"\u300eENDLING \u300f\" width=\"224\" height=\"94\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Endling-300x126.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Endling-768x322.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Endling-1024x429.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Endling.jpg 2048w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>&#8220;Cairn Heads&#8221; Shinobu Soejima<br \/> Japan \/ 7min \/ Tokyo University of the Arts <\/td>\n<td>\u300eENDLING \u300fAlex Schaad<br \/> Germany \/ 30min \/ University of Television and Film, Munich<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/10-3\" rel=\"attachment wp-att-26330\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26330 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/10-300x169.jpg\" alt=\"\u300e10\u300f\" width=\"223\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/10-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/10-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/10-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/10.jpg 1920w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/a><\/td>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/aamir\" rel=\"attachment wp-att-26331\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26331 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/AAMIR-300x169.jpg\" alt=\"  \u300eAAMIR\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/AAMIR-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/AAMIR-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/AAMIR-1024x576.jpg 1024w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td> \u300e10\u300fPaula Konju\u0161i\u0107<br \/> Croatia \/ 8min \/ Academy of Fine Arts Zagreb(ALU)<\/td>\n<td> \u300eAAMIR\u300fVIKA Evdokimenko<br \/> USA \/ 16min \/ <br \/> New York University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Program C<\/h4>\n<table width=\"100%\" style=\"background-color: #e7eb13;\" class=\"mb50\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/the-place-of-oblivion\" rel=\"attachment wp-att-26332\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26332 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-300x119.png\" alt=\"\u300eThe Place of Oblivion\u300f\" width=\"221\" height=\"88\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-300x119.png 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-768x305.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-1024x406.png 1024w\" sizes=\"(max-width: 221px) 100vw, 221px\" \/><\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/fundamental\" rel=\"attachment wp-att-26334\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26334 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Fundamental-300x169.png\" alt=\"\u300eFundamental\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Fundamental-300x169.png 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Fundamental-768x432.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Fundamental-1024x576.png 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Fundamental.png 1920w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eThe Place of Oblivion\u300f<br \/> Fernanda Tovar Mexico \/ 18min<br \/> \/ Centro de Capacitaci\u00f3n Cinematogr\u00e1fica<\/td>\n<td>\u300eFundamental\u300fShih-Chieh Chiu<br \/> Taiwan \/ 7min \/ <br \/> National Taiwan University of Arts<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/facing-mecca\" rel=\"attachment wp-att-26335\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-26335 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Facing-Mecca-300x162.jpg\" alt=\"\u300eFacing Mecca\u300f\" width=\"224\" height=\"121\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Facing-Mecca-300x162.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Facing-Mecca-768x415.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Facing-Mecca-1024x554.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Facing-Mecca.jpg 1998w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td style=\"width: 252.25px;text-align: center;\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/overrun\" rel=\"attachment wp-att-26336\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26336 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-300x126.jpg\" alt=\"\u300eOverrun\u300f\" width=\"224\" height=\"94\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-300x126.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-768x322.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-1024x429.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun.jpg 1920w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eFacing Mecca\u300fJan-Eric Mack<br \/> Switzerland \/ 27min \/ <br \/> Zurich University of the Arts<\/td>\n<td>\u300eOverrun\u300f<br \/> Pierre Ropars, Antonin Derory, <br \/> Diane Thirault, J\u00e9r\u00e9mie Cottard,<br \/> Matthieu Druaud, Adrien Zumbihl<br \/> France \/ 8min \/ <br \/> Supinfocom Rubika<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>Program D<\/h4>\n<table style=\"background-color: #18ad2a;\" width=\"100%\" class=\"mb50\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/at-her-own-pace-2\" rel=\"attachment wp-att-26339 aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26339 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/At-her-own-pace-1-300x169.jpg\" alt=\"\u300eAt her own pace\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/At-her-own-pace-1-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/At-her-own-pace-1-768x433.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/At-her-own-pace-1-1024x578.jpg 1024w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/love-me-fear-me\" rel=\"attachment wp-att-26340 aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26340 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Love-Me-Fear-Me-300x162.jpg\" alt=\"\u300eLove Me, Fear Me\u300f\" width=\"224\" height=\"121\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Love-Me-Fear-Me-300x162.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Love-Me-Fear-Me-768x415.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Love-Me-Fear-Me-1024x554.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Love-Me-Fear-Me.jpg 1998w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eAt her own pace\u300fYeo-ul Han<br \/> Korea \/ 26min \/Sejong University<\/td>\n<td>\u300eLove Me, Fear Me\u300f<br \/> Veronica Solomon Germany \/ 6min<br \/> \/ Filmuniversit\u00e4t Babelsberg <br \/> KONRAD WOLF<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/flower-found\" rel=\"attachment wp-att-26341\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26341 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg\" alt=\"\u300eFlower Found!\u300f\" width=\"224\" height=\"126\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found.jpg 1706w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<td style=\"width: 286.45px;text-align: center;\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/like-a-good-kid\" rel=\"attachment wp-att-26342\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26342 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-300x199.jpg\" alt=\"\u300eLIKE A GOOD KID\u300f\" width=\"223\" height=\"148\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-300x199.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-768x509.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-1024x679.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid.jpg 1544w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>\u300eFlower Found!\u300f Jorn Leeuwerink<br \/> Netherlands \/ 6min \/ HKU University of the Arts Utrecht<\/td>\n<td>\u300eLIKE A GOOD KID\u300fVazirdaftari<br \/> Iran \/ 20min \/ <br \/> Tehran University of Dramatic Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Program Screenings<\/h3>\n<h4>(1) &#8220;JAPAN FOCUS&#8221; (11\/27 screening)<\/h4>\n<table style=\"background-color: #ed723e;\" width=\"80%\" class=\"mb50\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e8%8d%b3%c2%80%e8%ad%81%e3%83%bb%ef%bd%ad%e7%8e%b2%e6%95%99-%e8%a0%8e%e5%86%97%ef%bd%ab%ef%a3%b0\" rel=\"attachment wp-att-26343\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26343 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/a8fb1a7e60e41bc56015d72e21f9a05d-300x200.jpg\" alt=\"\"One Letter Fist Prologue -The Strongest Kung Fu Boy vs. Hell's Murder Karate Master-\"\" width=\"224\" height=\"149\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/a8fb1a7e60e41bc56015d72e21f9a05d-300x200.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/a8fb1a7e60e41bc56015d72e21f9a05d-768x512.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/a8fb1a7e60e41bc56015d72e21f9a05d-1024x683.jpg 1024w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\" style=\"color: #ffffff;\">\n<td>&#8220;One Letter Fist Prologue -The Strongest Kung Fu Boy vs. Hell&#8217;s Murder Karate Master-&#8220;<br \/> Yu Nakamoto 66min<\/td>\n<\/tr>\n<tr style=\"color: #ffffff;\">\n<td>\u226a Synopsis\u226b<br \/> The world&#8217;s strongest martial artist, Yuta Ichimonji, returned to Japan for the first time in three years. By chance, he meets Shirahata, a man who wants to be a manga artist, and Kurata, who is riddled with debt. In front of the three people who hit it off, a mysterious murderous karate master appears! One character would throw himself into a fierce battle for his life &#8230;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h4>(2) &#8220;Ken Ninomiya Special Screening Project&#8221; (12\/1 screening)<\/h4>\n<table style=\"background-color: #8a43e0;\" class=\"mb50\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/komura\" rel=\"attachment wp-att-26347\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26347 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Komura-300x169.jpg\" alt=\"\"Why did Komura shed tears with a straight face?\"\" width=\"272\" height=\"153\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Komura-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Komura-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Komura.jpg 960w\" sizes=\"(max-width: 272px) 100vw, 272px\" \/><br \/>\n <\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e7%b9%9d%ef%bd%aa%e7%b9%9d%e6%ba%98%e3%83%a3%e7%b9%9d%e5%8c%bb%e3%83%bb%e7%b9%a7%ef%bd%aa%e7%b9%9d%e6%82%b6%e3%83%bb%e7%b9%a7%ef%bd%b9%e7%b9%9d%ef%bd%aa%e7%b9%9d%ef%bd%bc%e7%b9%9d%e6%96%90%cf%86\" rel=\"attachment wp-att-26345\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26345 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0f70947c48098a692ae6c7773e31dea9-300x224.jpg\" alt=\"\"THE LIMIT OF SLEEPING BEAUTY\"\" width=\"225\" height=\"168\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0f70947c48098a692ae6c7773e31dea9-300x224.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0f70947c48098a692ae6c7773e31dea9-120x90.jpg 120w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0f70947c48098a692ae6c7773e31dea9-768x575.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0f70947c48098a692ae6c7773e31dea9-1024x766.jpg 1024w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\" style=\"color: #ffffff;\">\n<td>&#8220;Why did Komura shed tears with a straight face?&#8221;<br \/> 2014 \/ 62min<\/td>\n<td>\u300eTHE LIMIT OF SLEEPING BEAUTY<br \/> -Limit of Sleeping Beauty-&#8220;<br \/> \u00a92017 kingRecords<br \/> Arc Films \/ 89min<\/td>\n<\/tr>\n<tr style=\"color: #ffffff;\">\n<td style=\"vertical-align: top;\">\u226a Synopsis\u226b<br \/> Komura, a part-time leader, fell in love with a cute junior at his part-time job, even though he had a girlfriend who was living with him.<\/td>\n<td style=\"vertical-align: top;\">\u226a Synopsis\u226b<br \/> It draws the viewer into a world of inclusion and spells it out with powerful images that do not let the viewer take their eyes off. And the uplifting worldview shown by the original script and detailed images foreshadows a new world that can be seen beyond despair. This commercial debut is full of visual beauty and leaves a strong impression on the viewer&#8217;s memory.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 id=\"pageLink03\">Final Judges<\/h2>\n<table width=\"100%\">\n<tbody>\n<tr>\n<td width=\"20%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e4%ba%8c%e5%ae%ae%e5%81%a5\" rel=\"attachment wp-att-26471\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26471\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/8f75148e549bc86cffc98ef159308ec1.png\" alt=\"Ken Ninomiya (Film Director)\" width=\"171\" height=\"160\"><\/a><\/td>\n<td width=\"80%\"><strong>Ken Ninomiya (Film Director)<\/strong><br \/> Born in Osaka Prefecture in 1991. In 2015, &#8220;SLUM-POLIS&#8221; was released as a graduation film at Osaka University of Arts, which attracted attention at film festivals in Japan and abroad, and was released theatrically nationwide. IN 2017, HE MADE HIS COMMERCIAL FILM DEBUT WITH THE LIMIT OF SLEEPING BEAUTY. The long-awaited new film &#8220;Chihuahua-chan&#8221; (19) has been released. Presided over the movie screening event &#8220;SHINPA&#8221;.<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e5%bb%a3%e7%80%a8%e7%b4%94\" rel=\"attachment wp-att-26473\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26473\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/0c4768b3499a87ed29fbc075ef83c796.png\" alt=\"Jun Hirose (Professor, Faculty of Business Administration, Ryukoku University, Film Critic)\" width=\"171\" height=\"160\"><\/a><\/td>\n<td><strong>Jun Hirose (Professor, Faculty of Business Administration, Ryukoku University, Film Critic)<\/strong><br \/> Since 2004, he has been teaching French, French civilization and cinema at Ryukoku University. He writes in Japanese, French, Spanish, Italian and English. He is the author of many books, including &#8220;Cinecapital&#8221; and &#8220;The Cause of Cinema.&#8221; Cinecapital is also published in Spanish and French.<\/td>\n<\/tr>\n<tr>\n<td><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/%e5%92%8c%e7%94%b0%e6%b7%b3\" rel=\"attachment wp-att-26472\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-26472\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/bdbde7d4120ac72804032f40c74fb72f.png\" alt=\"Jun Wada (anime artist)\" width=\"171\" height=\"162\"><\/a><\/td>\n<td><strong>Jun Wada (anime artist)<\/strong><br \/> Born in Hyogo Prefecture in 1980. He studied film at Osaka Kyoiku University, Image Forum Institute of Moving Image and Film, and Tokyo University of the Arts. He started producing anime around 2002 and continues to produce with the major themes of &#8220;pause&#8221; and &#8220;pleasant movement&#8221;. The Great Rabbit (12) won the Silver Bear Award in the short film category at the Berlin International Film Festival. Currently, he is an associate professor at Otemae University and a part-time lecturer at Osaka Kyoiku University and Kyoto Seika University.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p class=\"mb50\">*In no particular order<\/p>\n<h3>Application Acceptance Results<\/h3>\n<p><span style=\"color: #ff0000;\"><strong>Applications are now closed. Thank you very much for your application, Mr.\/Ms.!<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23018\/b53398e7a45e7195d6b6874ac937d947.pdf\" target=\"_blank\" rel=\"noopener\"><strong>\u226aClick here for the 21st Kyoto International Student Film Festival Competition Film Application Guidelines\u226b<\/strong><\/a><\/p>\n<div class=\"spScroll\">\n<table>\n<tbody>\n<tr>\nTotal for the <\/p>\n<th width=\"25%\" class=\"fBold taCenter\">year in<\/th>\n<th width=\"25%\" class=\"fBold taCenter\">Japan<\/th>\n<p> and <\/p>\n<th width=\"25%\" class=\"fBold taCenter\">overseas<\/th>\n<th width=\"25%\" class=\"fBold taCenter\"><\/th>\n<\/tr>\n<tr class=\"taCenter\" style=\"color: #ff0000;\">\n<th class=\"fBold\">2018:<\/th>\n<td><strong>98 works,<\/strong><\/td>\n<td><strong>490 works,<\/strong><\/td>\n<td><strong>588 works<\/strong><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>129 works,<\/td>\n<td>356 works, and<\/td>\n<td>485 works<\/td>\n<th class=\"fBold\">in 2017<\/th>\n<\/tr>\n<tr class=\"taCenter\">\n<td>168 works,<\/td>\n<td>371 works,<\/td>\n<td>539 works in<\/td>\n<th class=\"fBold\">2016<\/th>\n<\/tr>\n<tr class=\"taCenter\">\n<td>123 works,<\/td>\n<td>94 works, and<\/td>\n<td>217 works<\/td>\n<p> in <\/p>\n<th class=\"fBold\">2015<\/th>\n<\/tr>\n<tr class=\"taCenter\">\n<td>163 works,<\/td>\n<td>187 works, and<\/td>\n<td>350 works<\/td>\n<th class=\"fBold\">in 2014<\/th>\n<\/tr>\n<tr class=\"taCenter\">\n<th class=\"fBold\">2013:<\/th>\n<td>212 works,<\/td>\n<td>145 works,<\/td>\n<td>357 works<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<h2 id=\"pageLink06\">Implementation Report<\/h2>\n<p>The 21st Kyoto International Student Film Festival is dedicated to discovering young talents who will lead the film industry in the future. The exhibition was held at the Film Theater of the Museum of Kyoto from Tuesday, November 27, and was successfully closed on Sunday, December 2.<br \/> This year&#8217;s competition (live-action and anime divisions) received a record number of 588 entries from 33 countries and regions, and 16 films carefully selected by the student executive committee were screened.<br \/> At the award ceremony on Sunday, December 2, the final day of the awards, the winning directors and final judges Ken Ninomiya, Jun Hirose, and Jun Wada were invited as guests to announce the grand prix in the live-action and anime categories, as well as the final jury prize and audience award.<br \/> At the award ceremony, after the screening of the two Grand Prix films, the final judges gave their comments, and we were able to create a place for international exchange and mutual understanding through film.<br \/> The award-winning works are as follows: I wish the young coach all the best in his future endeavors.<br \/> We would like to express our sincere gratitude to everyone who came to the festival and who supported and cooperated with us.<\/p>\n<h3>Announcement of the results of the competition section<\/h3>\n<p class=\"taCenter\"><span style=\"font-size: 14pt\"><strong>Grand Prix<\/strong><\/span><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/27315\/attachment\/%e3%83%88%e3%83%ad%e3%83%95%e3%82%a3%e3%83%bc-2\" rel=\"attachment wp-att-27320\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27320\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/c73e2469f081bb1995fc1ef1af243496-1.png\" alt=\"\" width=\"45\" height=\"49\"><\/a><\/p>\n<p class=\"taCenter\"><strong>Grand-Prix for Live-action Film<\/strong><\/p>\n<p><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/mascarpone\" rel=\"attachment wp-att-26325\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-26325 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-300x162.jpg\" alt=\"\u300eMascarpone\u300f\" width=\"300\" height=\"162\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-300x162.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-768x415.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone-1024x554.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Mascarpone.jpg 1998w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p class=\"taCenter\">\u300eMascarpone\u300fJonas Riemer <br \/> GERMANY \/ 2018 \/ 14min\/Film University Babelsberg KONRAD WOLF<\/p>\n<p class=\"mb50\">\u226a Synopsis\u226b Francis, a dreamy projectionist, gets into a car accident that leads him to become involved with the mascarpone, a notorious gangster. Suddenly found himself in a gangster movie, he is threatened to take his dog Farfare hostage and become a lookout for bank robberies. But the robbery fails, and Frances rescues her dog and takes the opportunity to win the heart of star actress Vivian.<\/p>\n<p class=\"taCenter\"><strong><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/27315\/attachment\/%e3%83%88%e3%83%ad%e3%83%95%e3%82%a3%e3%83%bc-2\" rel=\"attachment wp-att-27320\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27320\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/c73e2469f081bb1995fc1ef1af243496-1.png\" alt=\"\" width=\"45\" height=\"49\"><\/a><br \/>  Anime Division Grand Prix for Animated Film<\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/flower-found\" rel=\"attachment wp-att-26341\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-26341 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found.jpg 1706w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p class=\"taCenter\">\u300eFlower Found! \/ Bloem?\u300f Jorn Leeuwerink <br \/> NETHERLANDS \/ 2017 \/ 6min \/ HKU University of the Arts Utrecht<\/p>\n<p class=\"mb50\">\u226a Synopsis\u226b Mouse is very sad. The red flowers in the forest were blooming, but they suddenly disappeared. So Mr.\/Ms. took the mouse to look for flowers. After a while, the animals of the forest joined them. Finally, the group finds the &#8220;flower&#8221;, but things quickly get out of the mouse&#8217;s control.<\/p>\n<p class=\"taCenter\"><span style=\"font-size: 14pt\"><strong>Final Jury Prize<\/strong><\/span><\/p>\n<p class=\"taCenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6305 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/king.png\" alt=\"King\" width=\"41\" height=\"34\"><strong>The Final Judge, Ken Ninomiya Award<\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/overrun\" rel=\"attachment wp-att-26336\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26336 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-300x126.jpg\" alt=\"\" width=\"329\" height=\"138\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-300x126.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-768x322.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun-1024x429.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Overrun.jpg 1920w\" sizes=\"(max-width: 329px) 100vw, 329px\" \/><\/a><\/p>\n<p class=\"taCenter\">&#8220;Overrun&#8221; Anime Category<br \/> Pierre Ropars, Antonin Derory, Diane Thirault, J\u00e9r\u00e9mie Cottard, Matthieu Druaud, Adrien Zumbihl <br \/> FRANCE \/ 2017 \/ 8min \/ Supinfocom Rubika<\/p>\n<p class=\"mb50\">\u226a Synopsis\u226b Overrun tells the story of an ant who wanders into a pitch-black, cold world. The camera follows this lone ant as he travels through a seemingly dangerous and disturbing but fascinating world, trying to escape.<\/p>\n<p class=\"taCenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6305 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/king.png\" alt=\"King\" width=\"41\" height=\"34\"><br \/><strong>The Final Jud<\/strong><strong>ge, Jun Hirose Award <\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/the-place-of-oblivion\" rel=\"attachment wp-att-26332\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26332 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-300x119.png\" alt=\"\" width=\"356\" height=\"141\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-300x119.png 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-768x305.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/the-place-of-oblivion-1024x406.png 1024w\" sizes=\"(max-width: 356px) 100vw, 356px\" \/><\/a><\/p>\n<p class=\"taCenter\">\u300eThe Place of Oblivion\/ El rinc\u00f3n del mundo a donde va lo que se olvida\u300f<br \/> Live-Action Fernanda Tovar <br \/> MEXICO \/ 2018 \/ 18min\/Centro de Capacitaci\u00f3n Cinematogr\u00e1fica<\/p>\n<p class=\"mb50\">\u226a Synopsis\u226b Aura, Juan, and Evaristo live in Mr.\/Ms. old village of Antonio del Querer. It has long since been forgotten, and no one has returned. Aura, a young girl, intends to leave this village and find the life she wants somewhere else. But before he can do that, he tries to convince his father and grandfather to leave the village with them so that they don&#8217;t slip into oblivion.<\/p>\n<p class=\"taCenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6305 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/king.png\" alt=\"King\" width=\"41\" height=\"34\"><\/p>\n<p style=\"text-align: center\"><strong>The Final Judge, Atsushi Wada Award<\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/like-a-good-kid\" rel=\"attachment wp-att-26342\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-26342 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-300x199.jpg\" alt=\"\" width=\"296\" height=\"196\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-300x199.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-768x509.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid-1024x679.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Like-A-Good-Kid.jpg 1544w\" sizes=\"(max-width: 296px) 100vw, 296px\" \/><\/a><\/p>\n<p class=\"taCenter\">Like a Good Kid (Live-Action Category) Arian Vazirdaftari<br \/> IRAN \/ 2018 \/ 20min \/ Tehran University of Dramatic Arts<\/p>\n<p class=\"mb50\">\u226a Synopsis\u226b 24-year-old Sarah was supposed to take care of six-year-old Matin while his mother went to work. In the morning, Matin tells Sarah about a fight between him and his mother that has been going on since the night before, which leads to a series of events that change the rest of their lives.<\/p>\n<p class=\"taCenter\"><span style=\"font-size: 14pt\"><strong>Audience Award<\/strong><\/span><\/p>\n<p class=\"taCenter\"><span class=\"st\">* The Audience Award will be awarded by aggregating a questionnaire of customers who have seen the works during the festival period, and selecting one work in each category.  <\/span><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/27315\/attachment\/%e7%8e%8b%e5%86%a0\" rel=\"attachment wp-att-27321\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27321 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/e8e3593e053201056f0adbebd6c86e04.png\" alt=\"\" width=\"51\" height=\"45\"><\/a><br \/><strong>Audience Award<\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/rotkaeppchen\" rel=\"attachment wp-att-26327\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-26327 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Rotkaeppchen.jpg 1920w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p class=\"taCenter\">Little Red Riding Hood \/ Rotk\u00e4ppchen (Live-Action Role) Lynn Oona Baur <br \/> GERMANY \/ 2017 \/ 8min \/ Hamburg Media School<\/p>\n<p class=\"mb50\">\u226a synopsis\u226b 2032. Ten-year-old Louisa and her mother, Anna, lived in a totalitarian Germany. When a school play with Luisa turned into a crude propaganda campaign, Anna realized the need to protect her daughter. But it was probably too late.<\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/27315\/attachment\/%e7%8e%8b%e5%86%a0\" rel=\"attachment wp-att-27321\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27321 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/e8e3593e053201056f0adbebd6c86e04.png\" alt=\"\" width=\"51\" height=\"45\"><\/a><br \/>\n<strong>Audience Award<\/strong><\/p>\n<p class=\"taCenter\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26311\/attachment\/flower-found\" rel=\"attachment wp-att-26341\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-26341 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-300x169.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-768x432.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found-1024x576.jpg 1024w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26311\/Flower-Found.jpg 1706w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p class=\"mb50\">\u300eFlower Found! \/ Bloem?\u300f Jorn Leeuwerink (Netherlands)<br \/> * Director Jorn Leeuwerink also won the Blanc Prix in the anime category.<\/p>\n<h2 id=\"pageLink05\">Pre-Event &amp; Collaborative Planning<\/h2>\n<h3>Pre<\/h3>\n<h4>Cinema Train September 8 (Sat)<\/h4>\n<p><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26296\/attachment\/%e3%82%b7%e3%83%8d%e3%83%9e%e3%83%88%e3%83%ac%e3%82%a4%e3%83%b3%e2%91%a0\" rel=\"attachment wp-att-26300\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-26300\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/2361405b35b2352188eff80a04033983-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/2361405b35b2352188eff80a04033983-300x200.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/2361405b35b2352188eff80a04033983.jpg 636w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>In collaboration with Keihan Holding Mr.\/Ms., we held a pre-event &#8220;Cinema Train&#8221;. We chartered the Keihan Railway and screened the past winning films on the train from Nakanoshima Station, the starting point, to Demachiyanagi Station, the last stop. We were able to enjoy the experience of watching a movie on the train, which is not usually possible.<\/p>\n<h3>Pre-planning<\/h3>\n<h4>Location Discovery Photo Contest in Demachi Yanagi<\/h4>\n<div class=\"spScroll\">\n<table style=\"padding: 10px;\">\n<tbody>\n<tr class=\"taCenter\">\n<td width=\"30%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26296\/attachment\/%e3%83%95%e3%82%a9%e3%83%88%e3%82%b3%e3%83%b3%e3%83%86%e3%82%b9%e3%83%88%e2%91%a0\" rel=\"attachment wp-att-26303\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-26303 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/0abe967298f1bbeb16ff071a4f9af168-300x225.jpg\" alt=\"Grand Prize (Mr. Kobayashi)\" width=\"171\" height=\"128\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/0abe967298f1bbeb16ff071a4f9af168-300x225.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/0abe967298f1bbeb16ff071a4f9af168-120x90.jpg 120w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/0abe967298f1bbeb16ff071a4f9af168-768x576.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/0abe967298f1bbeb16ff071a4f9af168.jpg 790w\" sizes=\"(max-width: 171px) 100vw, 171px\" \/><\/a><\/td>\n<td width=\"30%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26296\/attachment\/%e3%83%95%e3%82%a9%e3%83%88%e3%82%b3%e3%83%b3%e3%83%86%e3%82%b9%e3%83%88%e2%91%a2\" rel=\"attachment wp-att-26305\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-26305 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/f0776407a36d04d2a53c3d4b3af1527d-300x295.jpg\" alt=\"Keihan Prize (traintrain01)\" width=\"146\" height=\"143\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/f0776407a36d04d2a53c3d4b3af1527d-300x295.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/f0776407a36d04d2a53c3d4b3af1527d.jpg 344w\" sizes=\"(max-width: 146px) 100vw, 146px\" \/><\/a><\/td>\n<td width=\"30%\"><a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/26296\/attachment\/%e3%83%95%e3%82%a9%e3%83%88%e3%82%b3%e3%83%b3%e3%83%86%e3%82%b9%e3%83%88%e2%91%a1\" rel=\"attachment wp-att-26304\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-26304 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/e624c1684aa32a7ba26b20629aef91a5-300x300.jpg\" alt=\"KISFVF Award (traintrain01)\" width=\"140\" height=\"140\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/e624c1684aa32a7ba26b20629aef91a5-300x300.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/26296\/e624c1684aa32a7ba26b20629aef91a5.jpg 344w\" sizes=\"(max-width: 140px) 100vw, 140px\" \/><\/a><\/td>\n<\/tr>\n<tr class=\"taCenter\">\n<td>Grand Prize (Mr. Kobayashi)<\/td>\n<td>Keihan Prize<br \/> (traintrain01)<\/td>\n<td>KISFVF Award<br \/> (traintrain01)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n<p class=\"mb50\">Demachi Yanagi is the setting for many works. With the theme of &#8220;places and things that you will want to use as a scene from a movie&#8221;, #Movie Rudemachi Yanagi #\u4eac\u90fd\u56fd\u969b\u5b66\u751f\u6620\u753b\u796d\u306e\u30cf\u30c3\u30b7\u30e5\u30bf\u30b0\u3067\u5199\u771f\u3092\u52df\u96c6\u3057\u307e\u3057\u305f on social networking sites such as Twitter and Instagram.<\/p>\n<h4>Trophy Design Contest<\/h4>\n<p>This year, we also tried to invite students to design trophies.<\/p>\n<table width=\"100%\" style=\"padding:10px;\" class=\"mb20\">\n<tbody>\n<tr>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27346\" rel=\"attachment wp-att-27346\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27346 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/2c39427deab5803ecc01ea4d9ba9fdab-285x300.png\" alt=\"Live-Action Category\" width=\"228\" height=\"240\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/2c39427deab5803ecc01ea4d9ba9fdab-285x300.png 285w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/2c39427deab5803ecc01ea4d9ba9fdab-768x809.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/2c39427deab5803ecc01ea4d9ba9fdab-972x1024.png 972w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/2c39427deab5803ecc01ea4d9ba9fdab.png 1629w\" sizes=\"(max-width: 228px) 100vw, 228px\" \/><br \/>\n <\/a><\/td>\n<td width=\"50%\"><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27357\" rel=\"attachment wp-att-27357\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-27357 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/3a7a0c8f663dc06cf49bddab3f717703-289x300.png\" alt=\"Anime Division\" width=\"234\" height=\"243\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/3a7a0c8f663dc06cf49bddab3f717703-289x300.png 289w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/3a7a0c8f663dc06cf49bddab3f717703-768x798.png 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/3a7a0c8f663dc06cf49bddab3f717703-985x1024.png 985w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/3a7a0c8f663dc06cf49bddab3f717703.png 1721w\" sizes=\"(max-width: 234px) 100vw, 234px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td>Live-Action<\/td>\n<td>DivisionAnime Division<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Creator: Mr.\/Ms. Kamimae (1st year student of Otemae Nutrition and Confectionery College College)<\/p>\n<p>Comment from the creator<\/p>\n<dl class=\"mb50\">\n<dt> [Live-action division] <\/dt>\n<p> In <\/p>\n<dd>order to make it easier to understand from the movie, I first placed a clapperboard on the base, and then drew a five-storied pagoda in the back with the image of Kyoto. The flowers of Kyoto Prefecture were weeping cherry blossoms, so I scattered them around as a common point with the anime department. <\/dd>\n<dt> \u3010Anime Division\u3011 <\/dt>\n<dd>The base is a movie film, and the Kyoto motif is a torii gate. I placed it so that it contrasts with the live-action department. Since the actual product is printed in white, it was difficult to come up with a design that would look good only in white. <\/dd>\n<\/dl>\n<h3>Collaborative Projects<\/h3>\n<h4>Camo Cinema 14 Invitation Screening August 18 (Sat)<\/h4>\n<p><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27348\" rel=\"attachment wp-att-27348\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27348\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/758e7772f71da272e6f4edccb6920080.png\" alt=\"\" width=\"243\" height=\"160\"><\/a><\/p>\n<p class=\"mb50\">We had an invitation screening at the Camo Cinema, which screens movies outdoors every summer. On the day of the event, the 20th award-winning film, &#8220;here AND there&#8221; by Komitsu, was screened.<br \/> Since the film was screened on the riverbed of the Kamo River, visitors were able to enjoy watching the film while connecting with people and touching nature.<\/p>\n<h4>Kyoto Student Festival Booth October 7 (Sun)<\/h4>\n<p><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27349\" rel=\"attachment wp-att-27349\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27349\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/6690969eb90e2be9d78e6fd7f22234f9.png\" alt=\"\" width=\"243\" height=\"161\"><\/a><\/p>\n<p class=\"mb50\">We exhibited a booth at the 16th Kyoto Student Festival. On the day of the festival, we were able to attract people of all ages, from children to adults, and we were able to learn about the existence of the film festival.<\/p>\n<h4>Kyoto International Film Festival Invitational Screening October 13 (Sat)<\/h4>\n<p><a href=\"https:\/\/www.consortium.or.jp\/?attachment_id=27350\" rel=\"attachment wp-att-27350\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-27350\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/23592\/dd1f837ccde9c14084fffe71d544cc5f.png\" alt=\"\" width=\"250\" height=\"167\"><\/a><\/p>\n<p class=\"mb50\">As one of the projects of the Kyoto International Film Festival, we were invited to screen the film at Aeon Cinema Kyoto Katsuragawa. In addition to screening two past winners of the festival, a talk event was held, and the executive committee members had a good experience for the 21st festival.<\/p>\n<h2 id=\"pageLink07\" class=\"post\">Special Site<\/h2>\n<table class=\"mb50\">\n<tbody>\n<tr>\n<td><a href=\"https:\/\/twitter.com\/kisfvf\" target=\"_blank\" style=\"background:none !important;\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1720 size-full aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/page\/83\/Twitter_logo_blue.png\" alt=\"Twitter Logo\" width=\"65\" height=\"52\"><\/a><\/td>\n<td><a href=\"http:\/\/www.kisfvf.com\/\" target=\"_blank\" style=\"background:none !important;\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15152 aligncenter\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/78692eb8438a92f7e11a516981ad7fad-120x90.jpg\" alt=\"Presentation 1\" width=\"100\" height=\"77\"><\/a><\/td>\n<\/tr>\n<tr>\n<td><span class=\"username u-dir\" dir=\"ltr\">@kisfvf<\/span><\/td>\n<td>official website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2 id=\"pageLink08\" class=\"post\">executive committee<\/h2>\n<p>Would you like to participate in the 21st Kyoto International Film Festival? We are currently looking for students to enliven the festival.<br \/> The festival receives a wide variety of films, both domestic and international. In addition, the executive committee is student-led in everything from the solicitation of films to the screening and planning of the film festival. Through a series of activities such as public relations activities and sponsorship requests, you can learn the know-how of festival management.<br \/> Students from various universities and faculties participate in the executive committee, regardless of grade, so friendships are expanded. Even if you are a beginner, senior executive committee members and university consortium Kyoto staff will support your activities, so please feel free to contact us.<\/p>\n<p class=\"mb50\"><a href=\"http:\/\/www.kisfvf.com\/contact\/\" target=\"_blank\" style=\"background:none !important;\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1720\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/183.177.245.951.gif\" alt=\"\" width=\"192\" height=\"32\"><\/a><\/p>\n<table width=\"100%\" class=\"mb50\">\n<tbody>\n<tr>\n<th width=\"20%\">Location:<\/th>\n<td width=\"80%\">Campus Plaza Kyoto (6th floor office, 5th floor joint laboratory)<\/td>\n<\/tr>\n<tr>\n<th>Frequency of activities:<\/th>\n<td>1~2 general meetings per week, department meetings, art viewing, training, etc. (depending on the month)<\/td>\n<\/tr>\n<tr>\n<th>Department:<\/th>\n<td>Main Festival Department, Public Relations Department, etc.<\/td>\n<\/tr>\n<tr>\n<th>Participating Universities<br \/> (Results)<\/th>\n<td>Kyoto University, Kyoto Institute of Technology, Kyoto University of Foreign Studies, Kyoto College of Nursing, Saga Art University,<br \/> Kyoto Sangyo University, Kyoto Women&#8217;s University, The Kyoto College of Graduate Studies for Informatics, Kyoto University of Art and Design,<br \/> Kyoto University of Pharmaceutical Sciences, Seian University of Art and Design, Doshisha Women&#8217;s University, Doshisha University, Bukkyo University,<br \/> Ritsumeikan University, Ryukoku University, Kobe University, Kansai University, etc.<\/td>\n<\/tr>\n<tr>\n<th>Organizer<\/th>\n<p>: <\/p>\n<td>University Consortium Kyoto<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div class=\"mb50\"> <a href=\"https:\/\/www.consortium.or.jp\/kisfvf\/27315\/attachment\/zenntai-3\" rel=\"attachment wp-att-27325\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-27325\" src=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/zenntai-1-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/zenntai-1-2-300x200.jpg 300w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/zenntai-1-2-768x512.jpg 768w, https:\/\/www.consortium.or.jp\/wp-content\/uploads\/kisfvf\/27315\/zenntai-1-2-1024x683.jpg 1024w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/div>\n<h2 id=\"pageLink09\" class=\"text_exposed_show\">Contact us<\/h2>\n<p>The 21st Kyoto International Student Film Festival Executive Committee<br \/> \u3012600-8216 Shimogyo-ku, Kyoto-shi, Nishitoin-dori, Shiokoji Shimoru Campus Plaza Kyoto<br \/> TEL: 075-353-9430 (Closed on Mondays) FAX: 075-353-9101<br \/> E-MAIL: info\u25a0kisfvf.com (Please replace \u25a0 with @)<br \/> HP\uff1a<a href=\"http:\/\/www.kisfvf.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.kisfvf.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Business Overview Outline of the event Programme Final Judges Implementation Report Pre-Event &amp; Collaborative Planning Special Site executive committee Contact us Business Overview The Kyoto International Student Film Festival is the largest international student film festival in Japan, planned and operated mainly by university students from the Kansai region, mainly in Kyoto, and is now in its 21st year. The purpose of this program is to gather independent films produced by students from all over the world, review them by the executive committee, and create opportunities for students to screen them, and to discover human resources and talents who will lead the future of filmmakers. Historically, Kyoto is a &#8220;movie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":118651,"menu_order":3109,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-128702","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-15 23:31:59","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128702"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=128702"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/128702\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/118651"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=128702"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}