{"id":129526,"date":"2020-03-11T11:34:15","date_gmt":"2020-03-11T02:34:15","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/english-ver-kyoto-international-student-film-video-festival\/2019-kisfvf"},"modified":"2020-03-11T11:34:15","modified_gmt":"2020-03-11T02:34:15","slug":"2019-kisfvf","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/english-ver-kyoto-international-student-film-video-festival\/2019-kisfvf","title":{"rendered":"2019 KISFVF"},"content":{"rendered":"

About us<\/h2>\n

The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent.
\n Kyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto.<\/p>\n

Event outline<\/h2>\n

\"\"<\/a> <\/strong><\/p>\n

DATE
<\/strong>FROM\u300021st February through 23st February,2020<\/p>\n

PLACE
The Museum of Kyoto<\/a> \uff08Sanjo-Takakura ,Nakagyo-ku, Kyoto 604-8183\uff09<\/p>\n

TICKET<\/strong><\/p>\n\n\n\n\n\n\n
<\/td>\n1DAY Ticket<\/span><\/td>\nALL DAY Ticket<\/span><\/td>\n<\/tr>\n
General<\/td>\n1,500 JPY<\/td>\n3,000 JPY<\/td>\n<\/tr>\n
High school and university students<\/td>\n1,000 JPY<\/td>\n2,000JPY<\/td>\n<\/tr>\n
Less than
\n junior high student<\/span><\/td>\n		Free<\/span><\/td>\nFree<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Program<\/h2>\n

TIME TABLE<\/h3>\n

\"\"<\/a><\/p>\n

Introduction of the program<\/h3>\n

1.competition program A-D<\/h4>\n

Program to show 16 works that a member of the executive committee selected carefully from all 277 submissions in 30 countries.<\/p>\n

Program A<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eThe Shepherd \u300fBrwa Vahabpour
\n Norway\/2018\/17min
\n The Norwegian Film School<\/td>\n		\u300erevenge\uff01\u300fShinobu Kawatani
\n Japan\/2019\/74min
\n Kyoto University of Art and Design<\/span><\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eAFTER THE RAIN\u300f
\n Val\u00e9rian DESTERNE, Rebecca BLACK,
\n C\u00e9line COLLIN, Juan Olarte,
\n Juan Pablo DE LA ROSA ZALAMEA,
\n Carlos Osmar SALAZAR TORNERO,
\n Lucile PALOMINO
\n France\/2018\/8min\/MOPA<\/td>\n		\u300eTILL THE END OF THE WORLD\u300f
\n Florence Bouvy
\n Netherlands\/2018\/27min
\n The Netherlands Film academy<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program B<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eTERROR\u300fYonatan Shehoah
\n Israel\/2018\/16min
\n The Maaleh School of Film and Television <\/td>\n		\u300eNo Gravity\u300f
\n Charline Parisot, J\u00e9r\u00e9my Ciss\u00e9,
\n Fioretta Caterina Cosmidis,
\n Flore Allier-Estrada,
\n Maud Lema\u00eetre-Blanchart,
\n Ludovic Abraham
\n France\/2018\/8min\/Supinfocom Rubika<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300ebrother’s\u300fDaichi Shiraiso
\n Japan\/2019\/45min
\n MEJIRO UNIVERSITY<\/td>\n		 \u300eJust in Time\u300fColin Huang
\n Taiwan\/2019\/29min
\n Taipei National University of the Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program C<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eThe Stained Club\u300f
\n M\u00e9lanie Lopez, Simon Boucly,
\n Marie Ciesielski,Alice Jaunet,
\n Chan St\u00e9phie Peang,
\n B\u00e9atrice Viguier
\n France\/2018\/7min\/Supinfocom Rubika<\/td>\n		\u300eShe-Pack\u300fFanny Ovesen
\n Norway\/2018\/18min
\n The Norwegian Film School<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eJust Between Us\u300fSadato Takenaka
\n Japan\/2019\/49min
\n Tokyo University of the Arts<\/span><\/td>\n		\u300eUntamed\u300fFran\u00e7ois et Vincent Lluelles
\n France\/2018\/25min\/ESRA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program D<\/h4>\n\n\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eHITOHIRA\u300f
\n Natsumi Yoshida, Rinka Machida
\n Japan\/2018\/30min
\n WASEDA University<\/td>\n		\u300eOne Way Ticket\u300f
\n LEUNG Wing Ho
\n Hong Kong\/2018\/28min
\n Hong Kong Academy for Performing Arts<\/td>\n<\/tr>\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
\u300eAbandoned Seed\u300fLYU YIFEI
\n China, Japan\/2019\/5min\/
\n Shanghai Jiao Tong University<\/span><\/td>\n		\u300eKippah\u300fLukas Nathrath
\n Germany\/2019\/25min
\n Hamburg Media School<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n 2.Special program<\/h4>\n

\u2488\u300cHey gangs, is it sunny over there?\u300d \uff08Date 2\/22 Sat.\uff09
\n guest\uff1aTakahisa Zeze\uff08Director\uff09<\/p>\n

\u300eHey gangs, is it sunny over there?\u300f 1985\/Japan\/28min Director\uff1aTakahisa Zeze
\n He produced this film by himself, shot on 16mm film when he was a student at Kyoto University. A middle- aged Yakuza escapes from Tokyo after commiting a crime. He meeets a young right \u2013 wing extremist. Together they help a girl She is looking for a river bank full of canola flowers that her mother had a strong memory of. The story is about how they find the place while escaping from pursuers.<\/p>\n

\"\"<\/a><\/p>\n

\u2489\u300cRANDEN\u300d\uff08Date 2\/23 Sun.\uff09
\n guest\uff1aTakuji Suzuki\uff08Director\uff09,Ayaka Onishi\uff08Actress\uff09<\/p>\n

\u300eRANDEN\u300f 2019\/Japan\/HD\/1:1.85\/114min Director\uff1aTakuji Suzuki
\n The non fiction writer Eisei Hiraoka (Iura Arata) moves near Randan station (Arashiyama line in Kyoto) from Kamakura. He starts collecting mysterious stories about Randen. The aim is to recall some past experiences which Eisei and his wife Tomako (Satoko Abe) went through in the town.
\n <\/strong>High school girl, Nanten Kitakado (Kubose Tamaki) is falling in lave with local boy, Shigosen (Kenta Ishida) who was taking photos of trains at Randen station with a Super 8 mm film camera. She is crazy about him.
\n <\/strong>Cafe worker, Kako Ogura (Ayaka Onishi) who works near the set in Uzumasa, meets unpopular actor Fu Yoshida, (Kanei Hiroto) from Tokyo when she brings lunch to the studio. She is asked to teach him how to speak in the Kyoto dialect and then they start to practice by reading the script\u2026..<\/p>\n

\"\"
\n <\/a><\/p>\n

Copyright\uff1a(C)Migrant Birds\/Omuro\/Kyoto Univercity of Art and Design<\/p>\n

<\/span><\/p>\n

The Final Judges<\/strong><\/h3>\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
Ayaka Onishi
\n \uff08Actress\uff09<\/td>\n		Takuji Suzuki
\n \uff08Director\uff0cActor\uff09<\/td>\n		Takahisa Zeze
\n \uff08Director\uff09<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Entries for the competition<\/h3>\n\n\n\n\n\n\n\n\n\n\n
Year<\/td>\nJapan<\/td>\nOverseas<\/td>\nTotal<\/td>\n<\/tr>\n
\n

2019<\/p>\n<\/td>\n

101<\/td>\n176<\/td>\n277<\/td>\n<\/tr>\n
\n

2018<\/p>\n<\/td>\n

98<\/td>\n490<\/td>\n588<\/td>\n<\/tr>\n
\n

2017<\/p>\n<\/td>\n

129<\/td>\n356<\/td>\n485<\/td>\n<\/tr>\n
\n

2016<\/p>\n<\/td>\n

168<\/td>\n371<\/td>\n539<\/td>\n<\/tr>\n
\n

2015<\/p>\n<\/td>\n

123<\/td>\n94<\/td>\n217<\/td>\n<\/tr>\n
\n

2014<\/p>\n<\/td>\n

163<\/td>\n187<\/td>\n350<\/td>\n<\/tr>\n
\n

2013<\/p>\n<\/td>\n

212<\/td>\n145<\/td>\n357<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Report<\/h2>\n

Awards<\/h3>\n

\"\"<\/a><\/p>\n

Grand-Prix
\n \"\"<\/a><\/strong><\/p>\n

\u300eTILL THE END OF THE WORLD\u300fFlorence Bouvy
\n Netherlands\/2018\/27min\/The Netherlands Film academy<\/p>\n

\u226aSynopsis\u226bMarie is eight years old and loves her dad. In a world where playful dreams can suddenly turn into empty eyes that don\u2019t seem to see her, she tries to stand her own. A story about the strength of a child fighting for the unconditional love of her father.<\/p>\n

 <\/p>\n

\"\"<\/a>Second Prize
\n \"\"<\/a><\/strong><\/p>\n

\u300eShe-Pack\u300fFanny Ovesen
\n Norway\/2018\/18min\/The Norwegian Film School<\/p>\n

\u226aSynopsis\u226bAnarchy emerges at a public pool party when a group of small girls push the limits of their strength and power. It\u00b4s a birthday party at a public pool disco, and underdog Ronja challenges the girls\u2019 alpha female to battle for dominance. The game escalates quickly, and as the thirst for power grows, Ronja and the other girls lose control.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

Final Judge Award
\n The Final Judge, Ayaka Onishi Award<\/strong>
\n \"\"<\/a><\/p>\n

\u300eThe Shepherd\u300fBrwa Vahabpour
\n Norway\/2018 \/17min\/The Norwegian Film School<\/p>\n

\u226aSynopsis\u226bWhile driving to a wedding, a Kurdish family hits a wild animal. The father, Aram, is forced to decide whether he should kill the animal or attempt to rescue it. Later it becomes clear how Aram struggles to find a place both in his new country as well as within his own family.<\/p>\n

 <\/p>\n

The Final Judge, Takuji Suzuki Award<\/strong><\/p>\n

\"\"<\/a><\/p>\n

\u300eHITOHIRA\u300f\u3000Natsumi Yoshida\u3000Rinka Machida
\n Japan\/2018 \/30min\/Waseda university<\/p>\n

\u226aSynopsis\u226bIzumi and Youichi are old friends and have their own secret game which nobody knows. In the autumn of the 3rd year of Junior High School, they left on a trip to find a cosmos field. Izumi feels that to be an adult means to be \u201csullied\u201d and she worries that she will be sullied by growing up. Is it possible to become an adult and stay \u201cclean\u201d without losing anything? What does she mean by \u201csullied\u201d? It a story about \u201ca girl who doesn\u2019t want to be a woman\u201d .<\/p>\n

 <\/p>\n

The Final Judge, Takahisa Zeze Award<\/strong><\/p>\n

\"\"<\/a><\/p>\n

\u300eNo Gravity\u300fCharline Parisot, J\u00e9r\u00e9my Ciss\u00e9,Fioretta Caterina Cosmidis,FloreAllier-Estrada,
\n Maud Lema\u00eetre-Blanchart,Ludovic Abraham
\n France\/2018 \/8min\/Supinfocom Rubika<\/p>\n

\u226aSynopsis\u226bAn astronaut comes back to earth and tries to fit in again.<\/p>\n

 <\/p>\n

Other Nominated Films<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u300erevenge\uff01\u300f<\/td>\nShinobu Kawatani<\/td>\nKyoto University of Art and Design
\n Japan\/2019\/74min<\/td>\n<\/tr>\n
\u300eAFTER THE RAIN\u300f<\/td>\nVal\u00e9rian DESTERNE,
\n Rebecca BLACK,
\n C\u00e9line COLLIN,
\n Juan Olarte,
\n Juan Pablo DE LA ROSA ZALAMEA,
\n Carlos Osmar SALAZAR TORNERO,
\n Lucile PALOMINO<\/td>\n		MoPA
\n France\/2018\/8min<\/td>\n<\/tr>\n
\u300eTERROR\u300f<\/td>\nYonatan Shehoah<\/td>\n\n

The Maaleh School of Film \uff06 Television
\n Israel\/2018\/16min<\/p>\n<\/td>\n<\/tr>\n

\u300ebrother\u2019s\u300f<\/td>\nDaichi Shiraiso<\/td>\nMejiro University
\n Japan\/2019\/45min<\/td>\n<\/tr>\n
\u300eJust in Time\u300f<\/td>\nColin Huang<\/td>\nTaipei National University of the Arts
\n Taiwan\/2019\/29min<\/td>\n<\/tr>\n
\u300eThe Stained Club\u300f<\/td>\nM\u00e9lanie Lopez,
\n Simon Boucly,
\n Marie Ciesielski,
\n Alice Jaunet,
\n Chan St\u00e9phie Peang,
\n B\u00e9atrice Viguier<\/td>\n		Supinfocom Rubika
\n France\/2018\/7min<\/td>\n<\/tr>\n
\u300eJust Between Us\u300f<\/td>\nSadato Takenaka<\/td>\nTokyo University of the Arts
\n Japan\/2019\/49min<\/td>\n<\/tr>\n
\u300eUntamed\u300f<\/td>\nFran\u00e7ois et Vincent Lluelles<\/td>\nESRA
\n France\/2018\/25min<\/td>\n<\/tr>\n
\u300eOne Way Ticket\u300f<\/td>\nLEUNG Wing Ho<\/td>\nHong Kong Academy for Performing Arts
\n Hong Kong\/2018\/28min<\/td>\n<\/tr>\n
\u300eAbandoned Seed\u300f<\/td>\nLYU YIFEI<\/td>\nShanghai Jiao Tong University
\n China\/Japan\/2019\/5min<\/td>\n<\/tr>\n
\u300eKippah\u300f<\/td>\nLukas Nathrath<\/td>\nGermany\/Hamburg Media School
\n Germany\/2019\/25min<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Find us on<\/h2>\n\n\n\n\n
\"Twitter<\/a><\/td>\n\"Presentation<\/a><\/td>\n<\/tr>\n
@kisfvf<\/span><\/td>\nofficial website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/a><\/div>\n

 <\/p>\n

Information<\/h2>\n

Kyoto International Student Film & Video Festival Office
\n c\/o The Consortium of Universities in Kyoto Campus Plaza Kyoto
\n Nishino-Toin-dori Shiokoji sagaru,Shimogyo-ku,Kyoto 600-8216 JAPAN
\n TEL\uff1a+81 75 353 9189\uff08closed on Mondays\uff09\u3000FAX\uff1a+81 75 353 9101
\n E-MAIL:info-kisfvf-ml@stg-consortium.net
\n HP : https:\/\/www.kisfvf.com <\/p>\n","protected":false},"excerpt":{"rendered":"

About us The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent. Kyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto. Event outline DATEFROM\u300021st February through 23st February,2020 PLACE The Museum of Kyoto \uff08Sanjo-Takakura ,Nakagyo-ku, Kyoto 604-8183\uff09 TICKET 1DAY Ticket ALL DAY Ticket General 1,500 JPY 3,000 JPY High […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":122736,"menu_order":2338,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-129526","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-09 19:44:49","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/129526"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=129526"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/129526\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/122736"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=129526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}