{"id":129552,"date":"2021-04-19T10:00:31","date_gmt":"2021-04-19T01:00:31","guid":{"rendered":"https:\/\/www.consortium.or.jp\/project\/kisfvf\/english-ver-kyoto-international-student-film-video-festival\/2020-kisfvf"},"modified":"2021-04-19T10:00:31","modified_gmt":"2021-04-19T01:00:31","slug":"2020-kisfvf","status":"publish","type":"page","link":"https:\/\/www.consortium.or.jp\/en\/project\/kisfvf\/english-ver-kyoto-international-student-film-video-festival\/2020-kisfvf","title":{"rendered":"2020 KISFVF"},"content":{"rendered":"

About us<\/h2>\n

The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent.
\n Kyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto.<\/p>\n

Event outline<\/h2>\n

\"\"<\/a> <\/strong><\/p>\n

DATE
<\/strong>FROM\u300026th February through 5th March,2021<\/p>\n

Held Online
Screened on “vimeo”<\/strong><\/p>\n

<\/p>\n

Program<\/h2>\n

\"\"<\/a><\/p>\n

\u203bWe screened 15films online for which premission has been granted.<\/p>\n

Introduction of the program<\/h3>\n

1.competition program A-B<\/h4>\n

Program to show 16 works that a member of the executive committee selected carefully from all 372 submissions in 22 countries.<\/p>\n

Program A<\/h4>\n\n\n\n\n\n\n\n\n\n\n
\"Masel<\/a><\/td>\n\"OFFBEAT\"<\/a><\/td>\n<\/tr>\n
\u300eMasel Tov Cocktail\u300f
\nArkadij Khaet\u3000\u3000Mickey Paatzsch
\nGemany\/2020\/30min\/
Filmacademy Baden-W\u00fcrttemberg<\/td>\n		\u300eOFFBEAT\u300f
\nMyrte Ouwerkerk
\nNetherlands\/2020\/20min\/
Netherlands Film Academy<\/td>\n<\/tr>\n
\"Major<\/a><\/td>\n\"CARGO\"<\/a><\/td>\n<\/tr>\n
\u300eMajor Tom\u300f
\nTakuya Chisaka
\nJapan\/2019\/10min\/
NIHON UNIVERSITY<\/td>\n		\u300eCARGO\u300f
\nChristina Tournatz\u00e9s
\nGermany\/2020\/15min\/
Macromedia University of Applied Science<\/td>\n<\/tr>\n
\"Signature\"<\/a><\/td>\n\"Home\"<\/a><\/td>\n<\/tr>\n
\u300eSignature\u300f
\nSeungHui HYUN
\nKorea\/2020\/28min\/
Seoul Institute of the arts<\/td>\n		\u300eHome\u300f
\nMarcjanna Urba\u0144ska
\nPoland\/2019\/5min\/
Lodz Film School<\/td>\n<\/tr>\n
\"BONBON<\/a><\/td>\n\"GROWING\u3000PAINS\"<\/a><\/td>\n<\/tr>\n
\u300eBONBON\u300f
\nDaniel Meier
\nGermany\/2019\/22min\/
Technische Hochschule Ostwestfalen-Lippe
Fachbereich Medienproduktion<\/td>\n		\u300eGROWING\u3000PAINS\u300f
\nLIN, PO-YU
\nTaiwan\/2020\/25min\/
National Taiwan University of Arts<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Program B<\/h4>\n\n\n\n\n\n\n\n\n\n\n
\"Young,<\/a><\/td>\n\"Empty<\/a><\/td>\n<\/tr>\n
\u300eYoung, Fragile\u300f
\nJoscha Bongard
\nGermany\/2020\/25min\/
Filmakademie Baden-Wuerttemberg<\/td>\n		\u300eEmpty Spaces\u300f
\nClara Stephanie Schieber Lorenesi
\nEngland\/2019\/20min\/
University of Warwick<\/td>\n<\/tr>\n
\"Boozy<\/a><\/td>\n\"We<\/a><\/td>\n<\/tr>\n
\u300eBoozy Woozy Wonderland\u300f
\nShiika Okada
\nJapan\/2019\/2min\/
Tokyo University of the Arts<\/td>\n		\u300eWe bloom\u300f
\nKIM Yul-hee
\nKorea\/2020\/28min\/
Korea National University of Arts<\/td>\n<\/tr>\n
\"Pick-up\"<\/a><\/td>\n\"The<\/a><\/td>\n<\/tr>\n
\u300ePick-up\u300f
\nRoh Dohyeon
\nKorea\/2019\/13min\/
Chung-Ang University<\/td>\n		\u300eThe Coral Guardian\u300f
\nDavid Dincer
\nGermany\/2020\/10min\/
Filmakademie Baden-Wuerttemberg<\/td>\n<\/tr>\n
\"sweep.\"<\/a><\/td>\n\"Talker\"<\/a><\/td>\n<\/tr>\n
\u300esweep.\u300f
\nTakuya Miyahara
\nJapan\/2019\/42min\/
ENBU Seminar<\/td>\n		\u300eTalker\u300f
\nMehrshad Ranjbar
\nIran\/2020\/13min\/
Pars University<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

<\/p>\n

2.Special program<\/h4>\n

\u300eAlmost Die Hard\u300f
1999 \/Japan\/42min\u3000Director: Ohku Akiko<\/p>\n

\n Tukiko, who is more sensitive to pain than others works in an Elementary school. She has such a painful life. Students who are far away from her ideal, parents, insensitive colleagues, and a stalker who obsessively keeps stalking her. Even her best friend Mayu enjoys her cheesy ” shotgun marriage”. What a cringy…
\n There is only a way left for Tukiko, or is it??
\n This was Akiko Ohku’s directorial debut, which served as a director, screenplay, and starring. Her other films are ” Tremble All You Want ” and ” Hold Me Back”.\n<\/p>\n

\"\"<\/a><\/p>\n

The Final Judges<\/strong><\/h3>\n\n\n\n\n
\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n\"\"<\/a><\/td>\n<\/tr>\n
Ohku Akiko
\uff08Director, Screenwriter\uff09<\/td>\n		Hayato Kawai
\uff08Director\uff09<\/td>\n		Tatsuo Kobayashi
\uff08Film director\uff09<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Entries for the competition<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n
Year<\/td>\nJapan<\/td>\nOverseas<\/td>\nTotal<\/td>\n<\/tr>\n
\n

2020<\/p>\n<\/td>\n

100<\/td>\n272<\/td>\n372<\/td>\n<\/tr>\n
\n

2019<\/p>\n<\/td>\n

101<\/td>\n176<\/td>\n277<\/td>\n<\/tr>\n
\n

2018<\/p>\n<\/td>\n

98<\/td>\n490<\/td>\n588<\/td>\n<\/tr>\n
\n

2017<\/p>\n<\/td>\n

129<\/td>\n356<\/td>\n485<\/td>\n<\/tr>\n
\n

2016<\/p>\n<\/td>\n

168<\/td>\n371<\/td>\n539<\/td>\n<\/tr>\n
\n

2015<\/p>\n<\/td>\n

123<\/td>\n94<\/td>\n217<\/td>\n<\/tr>\n
\n

2014<\/p>\n<\/td>\n

163<\/td>\n187<\/td>\n350<\/td>\n<\/tr>\n
\n

2013<\/p>\n<\/td>\n

212<\/td>\n145<\/td>\n357<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Report<\/h2>\n

Awards<\/h3>\n

\"\"<\/a><\/p>\n

Grand-Prix
\n\"Talker\"<\/a><\/strong><\/p>\n

Talker
Mehrshad Ranjbar
\nIran\/2020\/13min\/
Pars University<\/p>\n

\u226aSynopsis\u226bFor many years an old woman had taken care of her sick husband until one day this habit ended. <\/p>\n

 <\/p>\n

\"\"<\/a>Second Prize
\n\"We<\/a><\/strong><\/p>\n

We bloom
KIM Yul-hee
\nKrea\/2020\/28min\/
Korea National University of Arts<\/p>\n

\u226aSynopsis\u226bEvery day after school, Sang-hyeon goes to Jeoung-woo\u2019s place. Jeoung-woo is always \u201clistening\u201d to movies at home since he’s blind. Before moving away, Sang-hyeon starts recording a film. <\/p>\n

 <\/p>\n


\n\"The<\/a><\/strong><\/p>\n

The Coral Guardian
David Dincer
\n Germany\/2020\/10min\/
Filmakademie Baden-Wuerttemberg<\/p>\n

\u226aSynopsis\u226b100 years ago, a diver died in the ocean. Revived by corals which grew on his helmet, he first tried to escape. However, the diver found shelter in a coral reef, and decided to stay and take care of it. Decades passed and numberous changes to the ocean have not only affected the reef but also himself. He has passed on his legacy before he died yet again.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

Final Judge Award
\n The Final Judge, Akiko Ohku Award<\/strong><\/p>\n


\n\"Boozy<\/a><\/strong><\/p>\n

Boozy Woozy Wonderland
Shiika Okada
\nJapan\/2019\/2min\/
Tokyo University of the Arts<\/p>\n

\u226aSynopsis\u226bOne day on my way back from school, I saw my crush with his girlfriend. I couldn’t go straight back home from the big shock. So, I bought a drink at the supermarket and decided to walk home which will take me an hour. This film is a self-documentary, me following myself in the wonderland of tokyo being drunk with the fusion of the Rakugo’s technique ” Douchuzuke” and pop culture. <\/p>\n

 <\/p>\n

The Final Judge, Hayato Kawai Award<\/strong><\/p>\n


\n\"Pick-up\"<\/a><\/strong><\/p>\n

Pick-up
Roh Dohyeon
\nKorea\/2019\/13min\/
Chung-Ang University<\/p>\n

\u226aSynopsis\u226bChu-hyun, a newbie film staff, drives a van to pick up an actress. But because of some miscommunications, she ends up giving a ride to a prostitute named Hee-ra.<\/p>\n

 <\/p>\n

The Final Judge, Tatsuo Kobayashi Award<\/strong><\/p>\n


\n\"Young,<\/a><\/strong><\/p>\n

Young, Fragile
Joscha Bongard
\nGermany\/2020\/25min\/
Filmakademie Baden-Wuerttemberg<\/p>\n

\u226aSynopsis\u226bAt times of changing gender roles, a Tinder date encourages young Leonid to live his own definition of “masculinity”. We experience the sensitive and insecure young man with his close friends in intimate conversations and pressuring voice messages as well as in the moment he tensely waits to meet the older and self-confident Leyli. A current reflection on love, sexuality and role models. <\/p>\n

 <\/p>\n

Other Nominated Films<\/p>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n
\u300eMasel Tov Cocktail\u300f<\/td>\nArkadij Khaet\u3000\u3000Mickey Paatzsch<\/td>\nGemany\/2020\/30min\/
Filmacademy Baden-W\u00fcrttemberg<\/td>\n<\/tr>\n
\u300eOFFBEAT\u300f<\/td>\nMyrte Ouwerkerk<\/td>\nNetherlands\/2020\/20min\/
Netherlands Film Academy<\/td>\n<\/tr>\n
\u300eMajor Tom\u300f<\/td>\nTakuya Chisaka<\/td>\nJapan\/2019\/10min\/
NIHON UNIVERSITY<\/td>\n<\/tr>\n
\u300eCARGO\u300f<\/td>\nChristina Tournatz\u00e9s<\/td>\nGermany\/2020\/15min\/
Macromedia University of Applied Science<\/td>\n<\/tr>\n
\u300eSignature\u300f<\/td>\nSeungHui HYUN<\/td>\nKorea\/2020\/28min\/
Seoul Institute of the arts<\/td>\n<\/tr>\n
\u300eHome\u300f<\/td>\nMarcjanna Urba\u0144ska<\/td>\nPoland\/2019\/5min\/
Lodz Film School <\/td>\n<\/tr>\n
\u300eBONBON \u300f<\/td>\nDaniel Meier<\/td>\nGermany\/2019\/22min\/
Technische Hochschule Ostwestfalen-Lippe
Fachbereich Medienproduktion<\/td>\n<\/tr>\n
\u300eGROWING\u3000PAINS\u300f<\/td>\nLIN, PO-YU<\/td>\nTaiwan\/2020\/25min\/
National Taiwan University of Arts<\/td>\n<\/tr>\n
\u300eEmpty Spaces\u300f<\/td>\nClara Stephanie Schieber Lorenesi<\/td>\nEngland\/2019\/20min\/
University of Warwick<\/td>\n<\/tr>\n
\u300esweep.\u300f<\/td>\nTakuya Miyahara<\/td>\nJapan\/2019\/42min\/
ENBU Seminar<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Find us on<\/h2>\n\n\n\n\n
\"Twitter<\/a><\/td>\n\"Presentation<\/a><\/td>\n<\/tr>\n
@kisfvf<\/span><\/td>\nofficial website<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
<\/a><\/div>\n

\n Calling for submission to the 24th Kyoto International Student Film Festival Competition from 10:00 on April 22 (Thursday)will start!
\n Please check the official website of the Kyoto International Student Film and Video Festival for application details.\n<\/p>\n

 <\/p>\n

Information<\/h2>\n

Kyoto International Student Film & Video Festival Office
\n c\/o The Consortium of Universities in Kyoto Campus Plaza Kyoto
\n Nishino-Toin-dori Shiokoji sagaru,Shimogyo-ku,Kyoto 600-8216 JAPAN
\n TEL\uff1a+81 75 353 9189\uff08closed on Mondays\uff09\u3000FAX\uff1a+81 75 353 9101
\n E-MAIL:info-kisfvf-ml@stg-consortium.net
\n HP : https:\/\/www.kisfvf.com <\/p>\n","protected":false},"excerpt":{"rendered":"

About us The Kyoto International Student Film & Video Festival is the largest international student film festival in Japan. It is entirely organized and run by university students in Kyoto. We receive student\u2019s works from all over the world, and provide an opportunity to screen, and discover new talent. Kyoto is the birthplace of Japanese movies and is also known as students\u2019city. The festival strings these two characteristics together, and also offers forum for cultural and international exchange and ultimately vitalizes Kyoto. Event outline DATEFROM\u300026th February through 5th March,2021 Held Online Screened on “vimeo” Program \u203bWe screened 15films online for which premission has been granted. Introduction of the program 1.competition […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":122736,"menu_order":2374,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-129552","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"publishpress_future_action":{"enabled":false,"date":"2026-07-06 04:03:21","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"for-page-group"},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/129552"}],"collection":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/comments?post=129552"}],"version-history":[{"count":0,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/129552\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/pages\/122736"}],"wp:attachment":[{"href":"https:\/\/www.consortium.or.jp\/en\/wp-json\/wp\/v2\/media?parent=129552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}